Audio Review: Destroyer – Have We Met
Following exceptional recent output, from 2011’s Kaputt through to Ken which arrived six years later, Have We Met draws from the more striking sonic moments from that period, particularly its…
Following exceptional recent output, from 2011’s Kaputt through to Ken which arrived six years later, Have We Met draws from the more striking sonic moments from that period, particularly its…
Basking in the afterglow of his Glastonbury headline slot, Stormzy finds his stock higher than ever.
Jape’s latest, markedly more subdued, collection occupies an unusual space in Richie Egan’s recent oeuvre.
Fibs confirms that Meredith is in complete control of a thrilling future.
Far short of jolly japes, though, Rom-Com is an exercise in restraint and balance.
Preferring stripped down, old school beats to the frenzied electro production of previous records, Uknowhatimsayin¿ is another gem in Danny Brown’s impressive discography.
"In a little over six-minutes, the song All Mirrors conjures a similar sensory experience to that of a Hitchcock film." An utterly sublime album.
A fantastic return from the alt-country troupe
"I ain’t no candle in the wind’’ is an early standout among many defiant declarations made throughout the blistering tour-de-force that is Norman Fucking Rockwell!, Lana Del Rey’s fifth and…
On Close It Quietly, the prompt successor to 2017’s Vessel, Greta Kline, the captain of Frankie Cosmos’ bedroom-pop universe, attempts to guide her songs down a more linear path.
"A sonically and aesthetically complete work."
This is Vernon at his rawest – the lyrics on i,i are more direct and simplistic than ever, taking a backseat to the instrumentation as acoustic guitars, horn sections and…
"Incorporating more house motifs, Friendly Fires sound like they’re doing their best impression of Wham!’s Club Tropicana over the course of these eleven new tracks."
In being resolute in their craft, The Murder Capital have sculpted a taut debut that’s inward-looking and self-assured.
Ultimately, what should be a footnote in an already crowded discography ends up as something entirely more satisfying than it has any right to be.
Dublin ‘instrumental maximalists’ Alarmist have lasted the test of time by keeping their powder dry over the years.
Cate Le Bon’s latest and strongest release to date was penned during a spell studying furniture design in rural Cumbria - designing chairs by day and moonlighting at the piano.
This is a wonderful album, built around the craftsmanship of a songwriter who plays with signifiers like a virtuoso but never loses the heart.