The shot was taken up on Montpellier Hill, the hill that has the Hellfire Club on top of it.

“My photos are generally very simple. I don’t care for contrivance or tricks. In this case the setting and light were beautiful.” Perry Ogden

“I am a flâneuse, I walk, I see; no expectation, no intention, just welcoming what the world offers.” – Elise Fisher

“I was aware, making the picture that there’s a kind of unity in the picture though it’s full of boundaries.” – Sean Hillen

Musician PJ Harvey in a teahouse during the making of the documentary feature film A Dog Called Money, directed by Seamus Murphy.

“I have spent the last two years experimenting with some of the key aspects of war in this body of work.” – Stephen Johnston

“Rather than the expected images, laden with political and religious imagery, l concentrate on the ordinary, the everyday.”

“Simulation 1 is from a body of work I’ve been exploring since 2016. It was inspired by my time spent on residency in the Burren College of Art in October of that year.” – 1iing

Until Such Time is a tribute to the women of Ireland, praising their optimism and humour during times when restrictions were forced upon a woman both at home and in the workforce.

“I wanted to create a large family portrait where I would try to physically knit a group together.” – Luis Alberto Rodriguez

Andrew is a finalist in the photography section of the 34th annual Hyères International Festival of Fashion and Photography which takes place this month.

Each image is suffused with an uneasy stillness that slowly discloses the artifice of the surrounding environment.

“For some time now, I have been fascinated by fear. This fascination started during my study, when I was diagnosed with Multiple Sclerosis.”

In terms of plankton, and of action, we are ‘Beyond Drifting’, and must bring into focus these ‘Imperfectly Known Animals’.

“The Vertigo Project is a series of twenty dye transfer photographic prints, which I hand made from the original camera negative of Alfred Hitchcock’s masterpiece, Vertigo.”

Part of an ongoing project, this work explores the aspects of the Irish landscape that give people a sense of identity and connection.

This project uses found photographs and archival material to weave a narrative between the past and present, as a mode to connect the artist’s practice with that of the historical legacy of medical mistreatment.

Bootscrapers were designed to remove ‘the street’ from your feet, and invented at a time when a taste for civic strolling in parks and boulevards became fashionable.