Choice Covers: Bitch Falcon – Staring at Clocks
Are you ready for these jellies? Bitch Falcon think so and tell us about how life is strange yet mundane.
Are you ready for these jellies? Bitch Falcon think so and tell us about how life is strange yet mundane.
"The album is about creativity blooming from introspection and self discovery, so I suppose the artwork is meant to represent that," says Ailbhe Reddy on her self-designed artwork for Personal…
The colourful canvas city-scapes of their pal Cam F Taylor informed the album artwork for Silverbacks' Fad.
"One night, Faolán (Carey) shared a series of images from a shoot he did with two guys kissing in a car and the moment I saw the image which would…
"The imagery of sinking to the bottom of the ocean signifies the overwhelming nature of 2020," says JyellowL on his collaboration with Tessy on the album artwork for 2020 D|Vision.
Continuing our look at the story behind the artwork of Choice Music award nominees, Niamh Regan tells us about Hemet...
Sorcha Richardson talks about collaborating across the Atlantic Ocean with designer Andrew Keyser for her debut album ‘First Prize Bravery.’
Girl Band Guitarist Alan Duggan discusses working with artist Damien Tran on the cover to their second album 'The Talkies' and its respective singles.
Daithí talks about finding the balance between darkness and light with painter David Smith for his new album LOSS.
"It was shot in 1967 at the Duffy & Sons circus." Tim Putnam of Partisan Records walks us through the hunt for a fitting photograph for Fontaines D.C.’s Dogrel.
"I’m dependably useless when it comes to visual ideas." Singer/songwriter Mick Flannery and graphic designer Matt “Punchy” McQuaid talk about the process of creating the cover for Flannery’s self-titled sixth…
Jafaris explains how he and his videographer Nathan Barlow depicted his inner struggles in a visually engaging and innovative manner on the cover for Stride.
The Limerick hip-hop trio enlisted the talents of French artist Benjamin Flao for the conception of Let The Dead Bury The Dead
Bantum is the moniker of Ruairi Lynch’s musical output. Shane O’Driscoll created the album artwork and explains the origins of the cover.
Lisa Hannigan worked with the New York based Irish photographer Rich Gilligan and designer Amanda Chiu for her cover.
Photographer Emma J Doyle on the idea behind her image which adorned James Vincent McMorrow’s We Move. Art direction is by Samuel Burgess Johnson.
Overhead, The Albatross worked with musician and artist Nick Boon who used a copper plate etching process in the creation of the artwork.
The boys from All Tvinns combined the forces of art director Alex Cowper and photographer Ruth Medjber to realise their cover look.