Film Review: Camille Claudel 1915


Posted July 8, 2014 in Film

Boland Mills 2025 – desktop

Camille Claudel 1915

Director: Bruno Dumont

Talent: Juliette Binoche, Jean-Luc Vincent, Emmanuel Kauffman

Release Date: 27th June 2014

Juliette Binoche plays the exiled sculptor Camille Claudel in Bruno Dumont’s speculative look at her later life of confinement in a French asylum. His camera prods and pokes at his subject with extreme close-ups and long-as-long-can-be takes in order to build a nuanced depiction of Claudel.

Early on in this claustrophobic film, Camille insists that she is well, but her surroundings and companions tell us otherwise. In one sequence she eats a boiled potato (which she has prepared herself, for fear of poisoning) away from the other patients. The camera watches Camille as she eats, pulling in close to her face. For a time all we hear is the wind and some chewing, but as the camera pulls closer we hear a disturbing vocalization somewhere between crying and laughing. The camera then cuts to reveal another patient, standing by Camille’s shoulder.

There is no safe-haven for Camille, or for the viewer. As the film progresses, this and many other sequences like it call into question the sanity that she so desperately clings to.

Words: Luke Maxwell

NEWSLETTER

The key to the city. Straight to your inbox. Sign up for our newsletter.

SEARCH

Cirillo’s

NEWSLETTER

The key to the city. Straight to your inbox. Sign up for our newsletter.