Having exhibited in The Source in Thurles and the Crawford in Cork, Vox Materia makes it to the capital. Maher takes the mermaid myth as the point of exploration in her new work which incorporates silhouettes of photos of herself contorted into different positions along with hand-painted wood relief prints. There’s also a video installation and small sculptures displayed in a long glass cabinet. “I got really interested in what the female has had to do throughout history in order to belong to the human race, or just to be an equal,” she says. “It seemed to me that a lot of it was actually to give up her voice. And I’ve always been interested in the loss of voice.”
Until December 22
