Paradise: Love
Paradise: Love is an uncomfortable, uncompromising film, engaging with a specific, banal horror of neo-colonial exploitation while providing the uneasy context of its attendant, intertwining narratives of oppression.
Paradise: Love is an uncomfortable, uncompromising film, engaging with a specific, banal horror of neo-colonial exploitation while providing the uneasy context of its attendant, intertwining narratives of oppression.
The action is over-the-top and stuck on fast forward, but the stakes are laid out well enough for us to invest in the shouty, kinetic madness.
A guide to beers from Brussels and also where to drink them when you're in Belgium's capital city.
For the past 17 years, Eoin Coveney has worked as a freelance illustrator for several major magazines, newspapers and advertising companies, both Irish and international. He studied under the supervision
From the point that moment a group of sundrenched Californian long hairs turned their back on the tubular bounty of the ocean in favour of a little plank of wood
Daniel Tuomey: Instruments Talbot Gallery & Studios There are actually two instruments in Instruments. Or at least something resembling them: two wooden chairs sit side-by-side as if engaged in conversation;…
Jordan has ample mythology and period significance to draw on visually, but never establishes a coherent sense of space and time
The camera lingers on the small details of movement, affectation and environment to bring the audience closer to the intimate world of the characters
1: Think Back, Remember How It Was My bag got robbed in a barbecue place around the corner from where Borges used to work. Rookie error: I hadn’t the strap
One of the big draws at this year’s Indian Film Festival of Ireland (IFFI) will no doubt be the screening of Ek Tha Tiger. When the crew spent a few
Nell ends up in a foster home for girls, but you can barely say "Beelzebub" before it’s gone all creaky floorboards and cracking mirrors again
High-profile footballers are retiring because they can't cut it - but is that the reason skaters hang up the shoes? Or should it be?
liberal eclecticism which, counter to the film's tepid suggestion, 1970s revolutionary movements failed as a (partial) result, rather than in spite, of.
Alan, once an unpredictable, hilarious misfit, is now pathologised as a dangerous lunatic in need of rehabilitation
How are we to take a death seriously when it looks like something out of a cabaret?
Waiting for Tobias Lindholm to appear for our interview in The Merrion Hotel, one can’t help but overhear his handlers furiously planning the day’s schedule. He’s in town for a
A primer on the life of Ludwig Wittgenstein from an Irish perspective ahead of a month-long celebration of his work at the Mermaid Arts Centre Bray.
There are a few breaks for plot, wobbly-eyed bonding and nerd-centric chortling, but not many.