On a cold Sunday afternoon in November 1975, over 10,000 people poured into the RDS show jumping arena to see The Stylistics perform at what was Ireland’s biggest ever pop concert.

Described in 1969 as a ‘trend setting development’, the Phibsborough Centre celebrates its 50th birthday this month.

The work of Joanne Betty Conlon reflects her love for old neglected buildings and objects combined with a desire to preserve and revitalise them.

Vernon Dewhurst, the photographer responsible for David Bowie’s Space Oddity album cover spent a year working as an advertising and fashion photographer in Dublin. He shares his memory of his time here with Brian McMahon of Brand New Retro.

Graham Keogh knows a lot about football shirts – he has hundreds. Not replicas, but actual shirts worn by players including the likes of Best, Cantona and Barnes.

Inspired by running a late-night club during the Dublin Theatre Festival, Fergus Murphy and Paul Rooney launched Saturday Night at the Gaiety in November 1993.

Dubliner Sharon Kane is the creator of Sweet Jane, an outstanding pop culture website which specialises in digitising and republishing original print content from the 1960s and 1970s.

Heat championed young local bands and energised the exciting new wave music scene that exploded in Ireland in the late 1970s.

Pat Egan revisits some questions 50 years later!

The problem pages from Irish magazines of the 1960s and 1970s give an irresistible insight into the lives of Irish teenagers highlighting their innocence, loneliness, and ignorance in a changing Ireland still dominated by the Catholic Church.

Despite the chaos, violence and poor organisation, the gig was memorable for many.

“I still expect to find a magazine in my Christmas stocking”. A look back at old Christmas covers from Irish magazines that are all long gone, dead and buried.

Brian McMahon talks to Garry O’Neil about Vox, a 400+ page opus featuring the complete collection of the revered 1980s Dublin fanzine.

Dublin had seen nothing like it before. Staff danced and sang to movie soundtracks, Hieronymus Bosch paintings hung on the wall, and when it got hot in the summer, the stylists worked outside.

The strip from O’Connell Bridge to the GPO is essentially the same as it was in 1988 but now comes with a flat white.

Years before Croke Park, Marlay Park or the Phoenix Park, Dalymount was the only venue hosting major concerts.

When the camp first opened, the Catholic Standard newspaper warned: “Holiday camps are an English idea and are alien and undesirable in an Irish Catholic country…”

The building is a wonderful example of indigenous industrial architecture, but with plans approved to demolish it for a new 8-storey hotel, one fears 2018 may be the twilight year for Twilfit House.