Book Review: Difficult Women – Roxanne Gay
Creating compelling female characters that don’t resort to the ‘strong female character’ trope is an imperative task, and one that Gay performs admirably.
Creating compelling female characters that don’t resort to the ‘strong female character’ trope is an imperative task, and one that Gay performs admirably.
A sustained reflection on Auster’s own relationship with the written word and allows him, in typical Auster fashion, to insert stories within the story.
Five attendees deliver their verdict on the annual design conference Offset.
Rage-inducing and relentless in its depiction of the cruel realities of life for forced sex workers, the novel draws its power from Harding’s talent for voice and characterisation.
From across the floor, there’s a shimmer of almost two hundred or so girls and three boys as they await their moment to spring and shine.
If Drake and Bonobo were the hot tickets last month, this Vicar Street show steals the crown in March.
Katie Stelmanis’s third album Future Politics could be described as her comeback one.
Kristen Stewart never puts a foot wrong. She anchors even the most outlandish plot elements firmly in reality, and the film simply wouldn’t work without her.
Owing much to the writings of Shirley Jackson Nicolas Pesce’s directorial debut is a disturbing, atmospheric but only partially successful horror movie.
A powerful social drama focusing on the struggle between the only remaining resident of an old apartment block, and the property developers who wish to demolish the building.
The film has a somewhat retrograde attitude towards women that seems inexplicable when considering Farhadi’s normally enlightened cinema.
A lavish yet essentially empty carbon copy of a stone-cold classic.
A profoundly challenging exploration of consent, female empowerment, misogyny, voyeurism and role-playing.
The racism of the “well-intentioned” white liberal has proven fertile ground for awkward laughs with sketch duo and erstwhile court comedians of the Obama regime, Key and Peele
An astute and fastidious examination of the most timely of concerns.
Fangs out for the world première of Siobhán Cleary’s Vampirella this month.
We featured a slightly fresher-faced Michael John Gorman in issue #10 in July 2005 around his Save The Robots exhibition in The Ark. He reflects on that time and his…
Ember is a welcome addition to the line of casual bistro with fine-dining influences that we've seen populating the suburbs in the last couple of years.