endings. at Dublin Fringe Festival
Writer and performer Fionntán Larney returns to the stage this September with his new one-man show endings. - a new musical about love, loss, destiny, and legacy.
Writer and performer Fionntán Larney returns to the stage this September with his new one-man show endings. - a new musical about love, loss, destiny, and legacy.
A dance show, a live concert, a poetry night, a video art exhibition - Persona Metropolitana is a patchwork of life in different cities.
Wayne Jordan directs an ensemble of talented actors primed to deliver their best and then some.
Writer and performer Fionntán Larney’s one-man show is a new musical about love, loss, destiny, and legacy.
The Perfect Immigrant, written and performed by Samuel Yakura and directed by Katie O’Halloran shines a light on challenges faced by young migrants.
The Gate has Roddy Doyle putting his inimitable Dublinese twist on J.M. Barrie’s classic.
To celebrate a century since Brendan Behan’s birth, the Abbey Theatre presents this modern take on The Quare Fellow, directed by Tom Creed.
Once upon a time in far, far, away land, the beautiful Princess Aurora pricks her finger on a spinning wheel and is doomed to sleep for 100 years by the wicked Maleficent.
A unique opportunity to see Europe's oldest surviving play performed in Europe's oldest spoken language.
Palimpsest looks like quintessential CoisCéim - an exhilarating, boundary busting kaleidoscope of dance, live music and panoramic projection.
Two plays which have been described as, "a perfect blend of hilarity and tragedy, courtesy of the talented writer, Derek Murphy.”
The story of how “a small family, their collection of friends and one eccentric stranger distract, entertain and enrage each other in a moment of crisis.”
Fusing film with live theatre, Deception is a unique play written and directed by Dubliner Conor Armstrong Sanfey.
Against the backdrop of a society in paralysis, a pair of Dublin lives are revealed in stark, sometimes brutal, scenes.
Boyfriends charts the ups and downs of a modern 'situation-ship' as ponder the age old questions of what romance means anyway.
Meet the two faces of Aileen Ripley: The strong confident warrant officer and the vulnerable survivor under duress.
Family-friendly play Grace celebrates neurodivergence and promotes autism acceptance as part of Dublin Theatre Festival
Niamh Lawlor's The Holding Bones lovingly recalls a host of characters - songsters, storytellers and mischief makers.
The production seeks to “rip the bodice of tradition” with a theatrical experience playfully retelling the classic story.