After the sensational retrospective of Patricia Hurl this spring, the West Wing in IMMA continues to shine a light of elderly women who work needs to be hailed in life rather than death. Final weeks.
DÉAD (Irish for ‘set of teeth’) draws on immersive technologies to celebrate the legacy of Bram Stoker’s novel Dracula and Friedrich Wilhelm Murnau’s classic silent film Nosferatu.
This is heavy-hitter territory when it comes to photographers and their subject matter. You have Richard Avedon shooting Groucho Marx and Ezra Pound, Yousuf Karsh getting the likes of Churchill, Einstein, Costeau, Ali, Hemingway and Georgia O’Keeffe to stare down the lens. Final weeks.
Combining found or discarded objects and cast or amended ones, Liz Magor unravels quotidian assumptions and desires.
Arguably, the best known and most influential artist of the 20th Century.
For the past seven years, Irish artist Gary Farrelly’s practice has manifested as an artistic duo practice known as the Office for Joint Administrative Intelligence, with German artist Chris Dreier.
A new collection of original works
A bold, colourful, immersive intervention which is the culmination of over ten months work between local community groups and the artist.
Miniature Masterpieces explores the changing interpretation of Ireland and its culture through stamp design.
Kindness describes himself as an “artist, currently completing a visual version of Homer's Odyssey”.
Paula Pohli, an artist, walks in Dublin. She is not a Flâneur. She walks as an artist walks: looks, observes, experiences. This exhibition is her personal visual record of graphic images of Dublin City.
The Complex building previously operated as a banana wholesale market.
This piece is a collaboration with photographer and visual artist Mark McGuinness.
Now residing in Cork, Londoner Kenny Morris was at the epicentre of the creative maelstrom that was punk in the mid-1970s.
Shorelines chronicles the varied seascapes of Dublin through brand-new work which brings an immediacy to the life of the sea.
A visual work that addresses issues facing farming, food production and consumption, in the face of present ecological and climate crises.
An early highlight in another busy year for Claxton and his associates, and a mandatory visit for anyone with an interest in the visual arts.
“Describing a primordial and impossible emanation of light.”
Rachael Johnson returns to Dublin this month to present an exhibition of new work from her 'Inscapes' series at the Red Stables Gallery.
