The OPW presents a new exhibition of secret photographs taken in Kilmainham Gaol Museum in 1921 during the War of Independence.
Donoso López’s exhibition explores movement as a strategy for adaptation, resistance and transformation using a variety of material processes.
Miriam McConnon’s new series of work has been informed by her correspondence with families in Gaza over the last two years.
This exhibition brings together two primary conceptual ideas: the print studio as a dynamic site of collective artistic production, and the salon as a forum for inclusive presentation.
Made with ink and oil stick on canvas, the series uses excess, indulgence, and collapse as an allegory for what results from dogmatic thinking — when ideas harden and refuse to be questioned.
