Month: March 2014

There is no doubt that this is a Wes Anderson film. Instantly you are whisked away to a highly-stylised land of idiosyncrasies, tableaux and familiar faces.

A well crafted film makes Jonathan Glazer a good director. The fact that he can show us our own world barely altered and make it a strange, horrifying place makes…

After decades of being lost, the print for Ted Kotcheff’s 1971 outback thriller Wake in Fright now receives a lavish restoration and cinema re-release.

A man’s life is turned upside down when he learns of his brother-in-law’s suicide.

If you decide that Only Lovers Left Alive's excess of cool is a jab at the hipster ethos surrounding the modern vampire myth, then you may find this palatable.

Longtime screenwriter, first-time director Akiva Goldman clearly loves Mark Helprin’s novel. He loves it so much in fact, that he’s forgotten that some people may not have read it.

The result may look like an Ikea-meets-American Apparel utopia but it’s a clever one, non-intrusive but winsome.

Tim’s Vermeer is every bit as enlightening as you’d expect a revisionist documentary about a 17th-century Dutch painter to be if it were made, as this one undeniably is, by…