Escape Claws: An interview with Cate Le Bon
“There is an expectation of audience at the very genesis of making something. For me, getting away from that was really important.” We catch up with Cate Le Bon who,…
“There is an expectation of audience at the very genesis of making something. For me, getting away from that was really important.” We catch up with Cate Le Bon who,…
John Paul Dowling is a designer and educator who has recently taken the post of Head of Department: Visual Communication at the National College of Art and Design on Thomas…
As winter approaches we talk seasonal bites, artisan suppliers and the secret to a mean cocktail with Erik Robson of ely.
I would have eaten a flatbread, had I not eaten a hoagie in Gutterball, through which you have to pass to enter Thundercut Alley.
“My concerns are not individual. I don’t believe in individuals at all, in the same way some people don’t believe in God.” Oisín Fagan talks to us about the importance…
October's Bitesize: Northbound caffeine from Full Circle Roasters at Jacob's Inn, culinary fusion at Mosa Sushi Burritos, spirited concoctions via Irish Cocktail Fest, dusky georgian glamour at La Cucina and…
The premise is mad-cap and uncomplicated, as farces go.
McDonagh, straying from his comfort zone, delivers a script riddled with clichés and flat jokes
Ahead of this year’s edition of the Dublin Theatre Festival, we talk to theatremaker Una McKevitt about exploring the normal in foreign settings.
Stars of the Lid bring their tired and refined ambient music to the Concert Hall for what promises to be a very special night.
Why not progress the Poddle Pond as a unique tranquil space, a watery testimony to Dublin’s ancient industrial quarter and a green gift to Dublin 8?
As a way to get the public interested in the issues around food waste, a core group of the Airfield team came together to create the Trash Bash Supper as…
From the rubble of Marlborough Street, Cathal Brugha Street emerged when the St. George’s and St. Thomas’ Church was rebuilt in 1932. It was on this street that Robinson Keefe…
Indispensible dad rock for the soul.
The Magnificent Seven comes together in its final act. When the bullets start flying, the film begins to look artful and confident.
Lincoln’s retains its lofty reputation not for whatever contemporary action it hosts but through it’s association with the romanticised Dublin of yore.
Gary Ross provides competent direction and the cast is uniformly excellent, but this is ultimately a failure at script level.
“To have an industry here you need people to stay and produce here, use local materials, get to know the people in the industry, go visit the weavers.”