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DTSTART;TZID=Europe/Stockholm:20220401T120000
DTEND;TZID=Europe/Stockholm:20220401T180000
DTSTAMP:20260619T091913
CREATED:20220309T155131Z
LAST-MODIFIED:20220326T101434Z
UID:82286-1648814400-1648836000@www.totallydublin.ie
SUMMARY:Mutualisms - Peter Smyth
DESCRIPTION:‘Mutualisms’\, Peter Smyth’s debut solo show\, is inspired by the often unseen and abstract operations within plant ecology. \nIn his work\, Peter considers the parallels between the natural occurrences of plant ecology\, and that of his painting process – specifically\, the painting’s relationship to the digital processes that are used to create them. \nAs part of his process\, Peter uses computer generated renders as creative stimulus\, and translates them into original painted works. 3D models are drawn from facets of plant ecology\, above and below ground. \n“Mutualism is usually defined as an interaction between individuals of different species which result in beneficial effects. To me\, the painting is entangled in a mutualistic relationship with the digital medium.” \nWhat we see exhibited are a collection of colourful\, abstract paintings – no digital pieces. Similar in theory to plant life\, where we often see what is above the ground\, not the processes underneath that initiate the growth. \n \nImages from Peter’s Studio (taken by Johnny Mallin) \nThe exhibition continues until Saturday 2 April\, opening Wed-Sat\, 10am-4pm each week\, no booking required.  \nAll exhibited artworks will be available to buy online at www.ateliernow.ie once the exhibition opens.  \n \n 
URL:https://www.totallydublin.ie/event/mutualisms-peter-smyth/
LOCATION:Atelier Now\, Block 3\, Charlemont St\, Saint Kevin's\, Dublin\, D02 ET63\, Ireland
CATEGORIES:Exhibition Listings
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20220329T110000
DTEND;TZID=Europe/Stockholm:20220329T223000
DTSTAMP:20260619T091913
CREATED:20220309T163531Z
LAST-MODIFIED:20220325T105415Z
UID:82297-1648551600-1648593000@www.totallydublin.ie
SUMMARY:Deck - A Collection of Found Playing Cards: Claire Halpin
DESCRIPTION:Stemming from the artist’s habit picking up playing cards she has found over many years\, Deck is a snapshot in time and place of a collection largely amassed on the streets of Dublin 1.  Making her own rules however\, the collection spans continents. Every card has a back story\, real and imagined. In different states of repair and decay\, the cards are annotated with whatever biro or marker was closest to hand with where and when each one was found before being added to the chart cataloguing and mapping the collection in an attempt to complete a full deck. How can so many cards have been mislaid? Were they up someone’s sleeve? Thrown away in a losing streak? Did they simply blow away? Each card represents a redundant pack from whence they came. \n“Every card has a back story\, real and imagined. In different states of repair and decay\, the cards are annotated with whatever biro or marker was closest to hand with where and when each one was found before being added to the chart cataloguing and mapping the collection in an attempt to complete a full deck.” \nIn 17 years working in the area I’m not sure I’ve seen anyone playing cards on the street.  In Claire’s short commute from her home in Summerhill to her studio in Talbot Street\, finding cards and adding them to her collection\, became almost ritualistic. For this exhibition Claire has chosen not only to fill the windows of the Cube space at the LAB with these cards but also invites audiences to listen to the stories she’s collected of varying “house rules” for old favourites and games previously unknown to her. The very act of installing the show in the window has led to heated debates about rules with passers by\, some of whom were subsequently recorded at the card table in the exhibition. \nClaire Halpin’s work explores themes and concepts around contested territories and histories through painting\, video and installation. Recently acquired by IMMA\, a common concern across her work is an interest in perception and interpretation of images.  Her work raises questions about how we choose to record history and the veracity of painting\, photography\, and the media in documenting future history. \nThis exhibition captures the artist’s personal experience on her daily journey to make the paintings for which she is best known while drawing on her fascination with cultural exchange\, storytelling and social fabric.
URL:https://www.totallydublin.ie/event/deck-a-collection-of-found-playing-cards-claire-halpin/
LOCATION:The LAB\, 1 Foley St \,  DUBLIN\, DUBLIN 1\, Ireland
CATEGORIES:Exhibition Listings
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20220304T130000
DTEND;TZID=Europe/Stockholm:20220320T190000
DTSTAMP:20260619T091913
CREATED:20220222T130827Z
LAST-MODIFIED:20220308T230754Z
UID:81854-1646398800-1647802800@www.totallydublin.ie
SUMMARY:Words as colour not language - Paul Hallahan
DESCRIPTION:Paul Hallahan is an Irish artist whose work is primarily based in painting\, but he also works in sculpture and video. Interests within his work commonly focus on how we interact with nature\, taking art as a form or by-product of nature and our civilisation. Using various methods and techniques Paul’s paintings are built up of thin layers on mostly raw canvases which allow light to move through the works and allow the works change within the locations they are positioned. This has always been of interest to Hallahan as he wanted the works to be active to the viewer and transcend the composition and initial image of the work. \n \n“The themes in my exhibition ‘Words as colour not language’\, look at organic matter within our landscape\, our relationship to the dense woodlands and crevices\, especially woodlands near the west coast of Ireland\, South Donegal\, Leitrim and Sligo. Previous interests in my works have looked to ideas of the larger landscape such as horizons in urban settings and our relationship to the rising and setting sun within the built up environment. This new exhibition will encircle a work titled “Lotus”\, a large dense painting made with organic matter and magnetic fields in mind. The exhibition will present works that I have worked on throughout 2020 and 2021\, most never seen before but all made during my transition from urban to country living. Since moving to south Donegal I have been able to explore the landscape like I never could while based in a city and this has allowed me to investigate ideas within the grime and ever changing undergrowth seen throughout the countryside and especially the coastal woods and valleys where I am currently based.” \nHallahan was the overall winner of the Hang Tough Contemporary Open Call Instagram Competition 2021. \nRuns until March 20 \nLaunch event tickets for Thursday March 3 here \nArtist talk with Cristín Leach on Tuesday March 8\, tickets here
URL:https://www.totallydublin.ie/event/words-as-colour-not-language-paul-hallahan/
LOCATION:Hang Tough Contemporary\, 4 Exchequer Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2022/02/Lotus-x-Paul-Hallahan-2021.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20220222T120000
DTEND;TZID=Europe/Stockholm:20220222T180000
DTSTAMP:20260619T091913
CREATED:20220131T180327Z
LAST-MODIFIED:20220223T083255Z
UID:81370-1645531200-1645552800@www.totallydublin.ie
SUMMARY:Vestige - Stephen Burke
DESCRIPTION:New work by Stephen Burke\, a multi-disciplinary artist and curator working between London and Dublin. \nBurke’s ambitions are to highlight a new visual understanding within our built environment\, focusing on elements of communication. He explores the cultural divide between street and gallery\, blurring the line between high and low art\, while offering a passion for the acts of creativity that happen within our everyday lives. Burke is interested in cities’ social fabric and how architecture attempts to bring order to these spaces. His practice makes visible and finds meaning in many inconspicuous components of large cities that would otherwise only marginally attract our attention. \n“Burke is interested in cities’ social fabric and how architecture attempts to bring order to these spaces” \nBurke produces photographic documentation of urban areas focusing on traces of antisocial behavior\, waste excess and utility elements. He photographs the residue from graffiti removal\, broken fencing\, sprayed construction markings and stained mosaics\, a type of urban decay voyeurism that can be linked with psychogeography. Using this ‘visual waste’ Burke builds his own painterly language. The resulting works are testimonials to the dialogue between those who mark public space and those who clean it\, reinforcing the idea of public space as a contested arena. \n \nViscous\, Spray paint\, emulsion and silicone on Aluminium 40 x 60cm \n \nCover Up Spray paint oil and emulsion on Aluminium 40 x 60cm \nThe use of steel\, tiles and street furniture within his work underscores the systems implemented through architecture and speaks of the cityscape’s materiality. These systems are juxtaposed through mark-making and staining\, using pollutants\, emulsion\, adhesives\, electrical sanders\, spray paints and various other manipulations; think accumulations of chewing gum\, scrubbed away graffiti and glazed layers of glue. The relationship of clean and unclean references the sociological tension between order and disorder while simultaneously implying degeneration and vandalism. These ideologies are reflected in our cities and their constant state of both construction and deconstruction. \nRuns until March 5.
URL:https://www.totallydublin.ie/event/vestige-stephen-burke/
LOCATION:SO Fine Art Editions\, 2nd Floor Powerscourt Townhouse Centre\, 59 South William Street\, Dublin\, D02 H762\, Ireland
CATEGORIES:Exhibition Listings
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220220
DTEND;VALUE=DATE:20220319
DTSTAMP:20260619T091913
CREATED:20220214T103426Z
LAST-MODIFIED:20220301T084749Z
UID:81560-1645318800-1647565199@www.totallydublin.ie
SUMMARY:Old-School New York Graffiti Artist SMART RIS Opens Exhibition at New Dublin Gallery The Horse
DESCRIPTION:The latest addition to Dublin’s art scene The Horse is a new gallery and project space founded by artist Matthew Wilkinson.  Located at Bethesda Place\, Dublin 1\, this month sees the gallery presenting a new body of work by the prominent Italian\, Los Angeles-based\, graffiti artist SMART RIS. \nA member of the infamous New York Rockin’ It Suckers graffiti crew\, SMART RIS has been making work for over 30 years and has collaborated with some of the leading names on the scene including Chris Ellis ‘DAZE’\, Todd James ‘REAS’ and Stephen Powers ‘ESPO’. \n \nThe exhibition marks a departure for SMART RIS\, the artist has created a series of “drip” paintings made on location at the new Dublin gallery. Speaking about the exhibition\, gallery curator Matthew Wilkinson said that\, “The paintings are rooted in that childhood memory of the studio floor\, the compositions produced are investigations into the states that accompany the action surrounding a night of writing illegally. \n \nThe night sky\, the stars\, the lines that are produced by the spray can. The exhibition is a unique opportunity to see work by the artist in Ireland”. \n“The Drip” runs until March 17th at The Horse\, 3 Bethesda Place\, Dublin\, D01 EY29. \nFor more information visit: https://thehorsedublin.xyz/  \n@thehorsedublin
URL:https://www.totallydublin.ie/event/old-school-new-york-graffiti-artist-smart-ris-opens-exhibition-at-new-dublin-gallery-the-horse/
LOCATION:The Horse\, 3 Bethesda Place\, Dublin\, D01 EY29\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2022/02/Smartris-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20220124T120000
DTEND;TZID=Europe/Stockholm:20220208T190000
DTSTAMP:20260619T091913
CREATED:20220118T135651Z
LAST-MODIFIED:20220210T085359Z
UID:81196-1643025600-1644346800@www.totallydublin.ie
SUMMARY:Electro-Fuse
DESCRIPTION:Internationally-renowned designers and NCAD alumni\, Aherne and Delany have worked together since 1998\, creating illustrative and typographic knitwear based on narrative storylines that draw on their own personal lives\, while simultaneously reflecting a wide range of social\, cultural and political moments. The Electro-Fuse exhibition captures an edit of graphic unisex knitwear\, including collaborations with a range of artists\, designers\, musicians and stylists. The exhibition also serves as the premiere of Electronic Sheep’s 2021/22 Electro-Fuse collection and this week sees the unveiling of a new artwork\, The Kilburn Tapestries\, which was funded by the Brent Borough of Culture London 2020. \nKilburn Tapestries\, 325cm x 135cm\, yarn 100% merino wool © 2021 Electronic Sheep @ NCAD Gallery.\nThe Electro-Fuse collection is populated with scenes from the eponymous Electronic Sheep comic – first created in 1998 – fusing a mix of the duo’s original stories with new tales\, reminiscing on nights out in familiar music venues across London\, Dublin and New York. Gig flyers\, fanzines\, posters and tickets that the pair have collected over the last 30 years are spliced together with their detailed drawings based on actual events. \nSpeaking about the exhibition\, Anne Kelly\, Curator\, NCAD Gallery said: “We’re thrilled to be showcasing the work of home-grown Irish label Electronic Sheep\, the creation of two fantastic NCAD alumni. We’re also very excited to be able to exhibit the work in person – the team at the Gallery deserves huge credit for the work they’ve done in creating a safe environment for people to visit the Gallery and see this striking collection. \n‘Mars Bar – 3.35AM\, 2ND AVENUE’ oversized triangle scarf. size 192cm x 75cm\, yarn 100 merino wool. © 2021 Electronic Sheep. Photography_ Kevin Fox\, We Shoot. Model_ Elise Sheerin\, Morgan The Agency.\n“For this exhibition to be premiering Electronic Sheep’s ‘The Kilburn Tapestries’\, which arrived to the Gallery this week\, has further fuelled our belief that it is must-see show for art\, fashion and design enthusiasts. The more than three-meter-long\, detailed tapestry illustrates the untold stories of the Irish community in the London Borough of Brent\, Kilburn and beyond and features music promoter Vince Power\, tour manager Gus Curtis and Phil Lynott of Thin Lizzy. \n“We are also indebted to a number of NCAD’s Fine Art and Design Faculty staff and student contributors\, who have supported us in the making of the exhibition and without whom it would not have been possible.” \nLater this year the NCAD Gallery will bring the exhibition to Centre Culturel Irlandais\, Paris. \nElectro-Fuse is currently open to the public at the Gallery\, Monday to Friday from 11am to 6pm\, and will run until Friday February 11. \n 
URL:https://www.totallydublin.ie/event/electro-fuse/
LOCATION:NCAD Gallery\, Thomas Street\, Dublin 8\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2022/01/Electro-Fuse-Electronic-Sheep-©2021-NCAD-Gallery.jpg
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DTSTART;TZID=Europe/Stockholm:20211130T103000
DTEND;TZID=Europe/Stockholm:20211130T210000
DTSTAMP:20260619T091913
CREATED:20211123T192540Z
LAST-MODIFIED:20211201T073232Z
UID:80329-1638268200-1638306000@www.totallydublin.ie
SUMMARY:20 Years of Comics
DESCRIPTION:First presented at the Galway Cartoon Festival and now arriving here\, The Instituto Cervantes presents this exhibition of 40 works by 20 artists which celebrates the long-running Injuve Comics Awards and offers a whirlwind journey from the late ‘90s through the history of this artistic form of expression in Spain. “This is not just a lineal itinerary\, it transcends that; the exhibition establishes a dialogue between past and future using the relationship between the pieces\, showing the cartoonists’ evolution from the moment they received Injuve’s support until the present\, by focusing on the contrast between the young artist’s work and the more recent pieces for each exhibitor.” \nFeatured work by Álvaro Ortiz. \nUntil January 7. \n \n20 años de cómic Injuve\n  \n 
URL:https://www.totallydublin.ie/event/20-years-of-comics/
LOCATION:DLR Lexicon\, Haigh Terrace\, Moran Park\, Dún Laoghaire\, Co. Dublin\, A96 H283\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/11/Alvaro-Ortiz-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20211129T120000
DTEND;TZID=Europe/Stockholm:20211219T180000
DTSTAMP:20260619T091914
CREATED:20211124T162027Z
LAST-MODIFIED:20211215T184730Z
UID:80357-1638187200-1639936800@www.totallydublin.ie
SUMMARY:Asylum Archive: Vukašin Nedeljković
DESCRIPTION:Activist\, artist\, independent scholar and former asylum seeker Vukašin Nedeljković have their first RHA exhibition of elements from their multidisciplinary testimonial project Asylum Archive. Having studied Photography at Belgrade’s Academy of Arts\, and with a MA in Visual Arts from Dún Laoghaire Institute of Art Design and Technology\, Nedeljković has dedicated almost 14 years to creating their archive of “asylum”\, Direct Provision and Emergency Accommodation in Ireland\, providing an insight into the treatment of people who have come to Ireland to seek protection. \n \nConcerned with the reality of life for asylum seekers\, Asylum Archive’s objective is to collaborate with asylum seekers\, artists\, academics\, civil society activists and others\, to create an interactive\, documentary\, cross-platform\, online resource which critically foregrounds accounts of exile\, displacement\, trauma and memory. \nIn Nedeljković’s photographic testimony\, no bodies of asylum seekers are presented; instead\, they focus on the architecture of confinement\, traces\, remnants and ghosts. \n \nTheir latest work includes a focus on Emergency Accommodation Centres.  The exhibition also references the latest White Paper on Direct Provision\, and commemorates the unknown numbers of people who have died within the system. \nA second edition of Nedeljković’s book Asylum Archive featuring both photographs and essays\, is also being published\, and will be launched during the exhibition. \nNedeljković says of the forthcoming exhibition\, “The exhibition in RHA will offer an awareness of the inhumane Direct Provision and Emergency Accommodation dispersal system in Ireland. I know that the exhibition in RHA will attract new  and diverse audiences.” \nUntil December 19 \nOur 2019 feature on the project is here: \nAsylum Archive – Archives of Humanity
URL:https://www.totallydublin.ie/event/asylum-archive-vukasin-nedeljkovic/
LOCATION:RHA (Royal Hibernian Academy)\, 15 Ely Place\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/11/bcrim_vukasin_post5.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20211127T130000
DTEND;TZID=Europe/Stockholm:20211127T190000
DTSTAMP:20260619T091914
CREATED:20211104T144607Z
LAST-MODIFIED:20211124T150029Z
UID:79994-1638018000-1638039600@www.totallydublin.ie
SUMMARY:Katherine Sankey - Hydrozomes: water bodies
DESCRIPTION:Katherine Sankey‘s sculpture uses living plant tissue and human supply lines to engage in the geo-feminist conversation about what we gouge and suck from the planet. Her practice examines mutation and the human extractive machine of supply and power in a multi-species context. Her artworks engage with how we as people adapt and colonize as well as inhabit territories. \nSankey’s sculpture is linear and combines arboreal elements\, plumbing\, electrics and video. Her practice seeks to challenge assumptions about both the boundaries of the human and what constitutes a ‘natural’ object or environment. In its uncanny representations of embodiment and parasitic invasion of a host space\, Sankey’s sculpture holds a grimy\, distorted mirror to ‘the real’. \n“Katherine Sankey‘s sculpture uses living plant tissue and human supply lines to engage in the geo-feminist conversation about what we gouge and suck from the planet.” \nHydrozomes is a collection of artworks from the last 3 years shown for the first time\, or in new configurations. As you enter\, Sankey’s sculptural grammar connects the invisible linear apparatus of water and energy conduction surrounding us in our built environments\, with the living organisms of wood\, lichen and crustacean parts. \n \n​Then there is Hydrozomes\, a sprawling installation incorporating ‘studies’ of hybrid mineral bodies as organic architectures. Here we encounter Sankey’s studio practice ‘mid-process’; a rogue hydroponics of sorts\, inhabiting the experimental nature of the Artist-Initiated Projects. \n‘Sankey’s work asks important questions about how we connect to the unseen and to the mechanisms that we take for granted in the small\, routine moments of our lives. Her sculpture gestures to the delicate balance of our ecosystems (in the strict sense of the word but also our own personal systems\, both constructed and natural). Her practice also alludes to the sometimes awkward or precarious quality of these systems\, brought to the fore in the manner that artworks are made\, balanced and suspended. (…) I am drawn to the ways that these artworks allude to time\, in that their energies and flow are open in terms of direction\, again representing a crucial focus on process\, rather than on a cohesive beginning or end.’ — Julie Morrissy\, excerpt from File Note lV\, a Fire Station Artists’ Studios publication\, 2021.​ \nOpening reception: 6–8pm Thursday 11th November \nExhibition continues: Friday 12th November – Saturday 27th November \nGallery open: 12–6pm\, Thursday–Saturday
URL:https://www.totallydublin.ie/event/katherine-sankey-hydrozomes-water-bodies/
LOCATION:Pallas Project\, 115-117 The Coombe\, Dublin\, 8\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/11/https-cdn.evbuc_.com-images-180104159-40139676564-1-original.20211104-144251.jpeg
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DTSTART;TZID=Europe/Stockholm:20211125T110000
DTEND;TZID=Europe/Stockholm:20211125T190000
DTSTAMP:20260619T091914
CREATED:20211116T150745Z
LAST-MODIFIED:20211123T193722Z
UID:80171-1637838000-1637866800@www.totallydublin.ie
SUMMARY:Sanctum
DESCRIPTION:Peter Gordon’s new exhibition stems from spending much of the various lockdown months on the South Wall or walking on the adjacent sand as the tide dropped\, trying to create a new and unique collection of images. Something that reflected the calm that the escape brought. Sunrise after sunrise the wall was deserted bar some brave winter swimmers and the occasional photographer. \n“I wanted to experience the tide in every position\, the sun from every direction. The full plethora of emotions and moods. Being there on my own. On the concrete or on the sand\, in the salt. Always feeling the serenity.” \nRuns until November 27\, open daily: 10am-6pm\, Sunday: 11am-4pm \nBreakthrough\, Poolbeg LighthouseThe dawn held little promise but as sunrise approached the sun popped out over the horizon and lit the distant lighthouse. A transformative moment.\n  \n 
URL:https://www.totallydublin.ie/event/sanctum/
LOCATION:Studio 10\, 10 Wicklow St\, Dublin
CATEGORIES:Exhibition Listings
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20211118T110000
DTEND;TZID=Europe/Stockholm:20211119T180000
DTSTAMP:20260619T091914
CREATED:20211019T102502Z
LAST-MODIFIED:20211110T163458Z
UID:79666-1637233200-1637344800@www.totallydublin.ie
SUMMARY:Exhibition: Collide - Aoife Scott
DESCRIPTION:Aoife Scott has interrogated her love for and connection to the sea and the natural world\, and has juxtaposed this sensibility with the anxiety she feels as she observes the devastating impact that we as a society have made on our environment. \n‘Through my practice I communicate feelings of calm and excitement with more worrying feelings of anxiety and frustration as I seek to find a balance between the natural and the man-made world’\, says Aoife of her work. \n \n“I am intrigued by the push and the pull between the two and strive to explore the relationship between them using different natural and manmade materials. I hope that the colourful energy of the work draws in the viewer and that the contrasting textures\, soft\, overlapping floating shapes juxtaposed with the bold lines create a tension and friction which expresses my concerns about the print and mark that we are leaving on our planet’.” \nRuns Nov 18 -21.
URL:https://www.totallydublin.ie/event/exhibition-collide-aoife-scott/
LOCATION:Fumbally Stables\, Fumbally Lane\, Dublin 8\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/10/Tuesday-Swim-35x35cm-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20211026T120000
DTEND;TZID=Europe/Stockholm:20211026T193000
DTSTAMP:20260619T091914
CREATED:20211025T144938Z
LAST-MODIFIED:20211025T144938Z
UID:79782-1635249600-1635276600@www.totallydublin.ie
SUMMARY:Daniel Rios Rodriguez - Serpentine Dream
DESCRIPTION:“I rarely think too hard about what my work “means” as of late. But if I had to say anything at all I’d say my work is about describing my dreams. All I ever dream about is approaching and entering new landscapes. I am travelling constantly when I dream. Always coming around the corner to witness some vast mountain range\, exiting a train to set foot in a new city\, boarding an airplane to fly away somewhere. It’s always a different place. \n \n“The paintings in a sense are like portals\, the serpents represent me to some degree. How could they not?! I have no genuine interest in snakes. They are purely symbolic\, a carrier of energy and stories. And I dream of them too. Visions of a serpent inhaling its prey for sustenance\, unlocking its jaws to accommodate and swallow what will give it new life. Shedding its skin and changing with the environment. Becoming something new. If I am a snake then my studio is the rock I hide under to protect me from the sun. But I must come out. I must eat. I must live. \n“I want to craft a humble picture of my experience with common materials.” \n“And then there are my children. I am always thinking about them as I paint. They are in my work. In threes like spirits that guide me. They are always with me like the stars in the sky. Even when I can’t see them. \nThen there is material. I want to craft a humble picture of my experience with common materials. What can I find and reassemble and paint on. Not a picture so much as a sensation. I want the painting to ask “can you feel me?”\, I want the looker to think “I can feel you”. I don’t care much for illusions. I want hard and soft wooden grainy edges\, splinters and rope hairs\, vibrance when necessary but on its own terms and for itself. I want the language of my work to be in relationship with the oldest of images. All snakes\, all spirals\, all the flowers\, suns and all the stars ever painted.” –  Daniel Rios Rodiguez\, 2021 \nRuns until November 20
URL:https://www.totallydublin.ie/event/daniel-rios-rodriguez-serpentine-dream/
LOCATION:Kerlin Gallery\, South Anne Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/10/a436c63ef8410d51762a49ec351b1609.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210924
DTEND;VALUE=DATE:20211011
DTSTAMP:20260619T091914
CREATED:20210924T091340Z
LAST-MODIFIED:20210924T091341Z
UID:79198-1632448800-1633831199@www.totallydublin.ie
SUMMARY:Driving on a Sponge 
DESCRIPTION:Unbeknownst to each other\, artists Stephen Burke and Ronan Dillon have been creating work inspired by uninhibited mark making – capturing specific narratives of the city and countryside. And as a result\, distinct parallels have emerged between both of their practices\, despite differing concepts and aesthetic elements.  \nDriving on a Sponge marks a two-man show which “will explore themes of freedom\, human and animal vandalism\, and speed.” We’re assuming speed relates to the rural road donut variety.  \nAtelier Now until October 9  \n 
URL:https://www.totallydublin.ie/event/driving-on-a-sponge/
LOCATION:Atelier Now\, Block 3\, Charlemont St\, Saint Kevin's\, Dublin\, D02 ET63\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/09/Driving-on-a-Sponge-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210923T100000
DTEND;TZID=Europe/Stockholm:20211012T190000
DTSTAMP:20260619T091914
CREATED:20210924T084944Z
LAST-MODIFIED:20210924T085204Z
UID:79191-1632391200-1634065200@www.totallydublin.ie
SUMMARY:Tag Beckett vs The Scramp 
DESCRIPTION:On the 10th anniversary of his debut show\, Beckett promises a “multi-faceted art experience about love and family” which will include sights\, sounds and smells.  \nThe context behind ‘The Scramp’ is that his grandfather Mr E Frank Sutton invented this “innocuous\, small wooden hinge used to support display boards” back in 1972 but never received proper dues for its invention.  \nEach attendee will get a 1/1 print that is unique to them. To receive the free print and go to the exhibition you must email tagbeckettvsthescramp@gmail.com with your date of birth (DD/MM/YYYY).  \nDuke Street Gallery from September 23 
URL:https://www.totallydublin.ie/event/tag-beckett-vs-the-scramp/
LOCATION:Duke Street Gallery\, 17 Duke Street\, Dublin\, D02 W310\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/09/TAG_PRESS_SHOT_HIGHRES-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210910T120000
DTEND;TZID=Europe/Stockholm:20210910T200000
DTSTAMP:20260619T091914
CREATED:20210907T151727Z
LAST-MODIFIED:20210907T151727Z
UID:78934-1631275200-1631304000@www.totallydublin.ie
SUMMARY:Bomb - Neil Dunne
DESCRIPTION:A show which explores the relationship between the artist and urban space. \nBomb exhibits a variety of paintings created in oil\, spray-paint and oil pastel originating as investigations into the built environment; this series has taken a peculiar format for what are fundamentally landscapes. Taking influence from the text SI International – (“Certain Shifting angles\, certain receding perspectives\, allow us to glimpse certain original conceptions of space” ) Neil Dunne has reimagined and explored the topographical locations of his native Dublin. \n \nThese works are in flux between abstraction and a recognisable visual language – a common thread exercised through form and structure has emerged\, an incoherent critique of culture and modern society are at the epicenter of this series upon which the audience can engage and play with. \nA vivid\, rhythmic approach to painting has emerged from Bomb\, encapsulating a range of studies over the past year\, he has offered an eclectic insight into the radical possibilities paint has to offer. Here we find Dunne’s work appearing as a fragmented set of compositions radically opposing any sense of formality\, each piece evolves and grows as the artist does. \nDunne’s work has developed a distinct language through his instinctive and gestural mark-making\, deriving from his deep interest in urban culture and background in printmaking. Runs September 9-26
URL:https://www.totallydublin.ie/event/bomb-neil-dunne/
LOCATION:Hang Tough Contemporary\, 4 Exchequer Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/09/ND.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210908T120000
DTEND;TZID=Europe/Stockholm:20210908T200000
DTSTAMP:20260619T091914
CREATED:20210907T142410Z
LAST-MODIFIED:20210907T142410Z
UID:78929-1631102400-1631131200@www.totallydublin.ie
SUMMARY:Alternate - Robyn Carey
DESCRIPTION:This collection of works abstractly visualises human emotions\, time and space. The title refers to two things. How human emotions are in a constant state of flux as time passes\, alternating between different mental states and the quantum physics theory of alternative realities and the multiverse/many worlds theory. If taking these theories as true\, they are linked in a sense that every emotion we ever feel happens simultaneously in the past\, present and future\, all at once\, and infinitely in other dimensions. Alternate aims to question and capture the beauty of this proposed theoretical phenomenon. \nhttps://vimeo.com/embed-redirect/596524421 \nRobyn Carey is a painter and printmaker based in Dublin. Her abstract expressionist works currently explore human perception of time and space. She aims to strike an honest and natural balance between contrasting elements\, often creating a sense of movement between them and thus unveiling an underlying narrative to the viewer. Her work is characterised by her expressive mark making and complex layered compositions. Her introspective artworks are energetic\, with emotion expressed through gestural mark making\, textures and mono printing. \n \nEach layer of paint is applied in response to the last symbolising human responses to emotion as time passes. In her compositions\, Pattern is hinted at\, but never perfectly realised\, drawing parallels to human behavioural patterns. A sense of movement and constant flux can be seen in her work. She paints with a sense of naivety and a humanistic quality. Her process driven abstraction defines texture\, tactility\, and colour interaction as the leading qualities of beauty in her work. Runs until September 19.
URL:https://www.totallydublin.ie/event/alternate-robyn-carey/
LOCATION:Hang Tough Contemporary\, 4 Exchequer Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/09/RC.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210812T100000
DTEND;TZID=Europe/Stockholm:20210829T190000
DTSTAMP:20260619T091914
CREATED:20210824T151857Z
LAST-MODIFIED:20210824T152004Z
UID:78680-1628762400-1630263600@www.totallydublin.ie
SUMMARY:PERCEPT/LOGOS: Colm Mac Athlaoich
DESCRIPTION:Colm Mac Athlaoich has flourished into one of the most exciting artists on the scene. After completing an MFA in Fine Art in Brussels\, he returns to the capital with a new show which takes its source from press photography of the Israeli Palestine conflict. \n“‘Percept’ (the sensory impression of an object)\, ‘Logos’ (appeal to logic) tries to find a way to question notions of neutrality and ambiguity when dealing with the subject of war. While remaining sensitive to the subject\, an attempt is made to extract the materiality of war from these images. \nEqually the relationship between photography and painting is brought into question by considering critical positioning and appropriation. The images go through a process of drawing studies to isolate the construction of the composition\, the finished works then become abstract collages of these elements.” \nHang Tough Contemporary\, Clarendon Row\, until August 29. \nmacathlaoich.com
URL:https://www.totallydublin.ie/event/percept-logos-colm-mac-athlaoich/
LOCATION:Hang Tough Contemporary\, 4 Exchequer Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/08/144849132_1075299436277089_4995243941618463887_n-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210722T200000
DTEND;TZID=Europe/Stockholm:20210808T220000
DTSTAMP:20260619T091914
CREATED:20210720T065432Z
LAST-MODIFIED:20210728T174311Z
UID:78060-1626984000-1628460000@www.totallydublin.ie
SUMMARY:Bríd Higgins NíChinnéide - Still Until
DESCRIPTION:“Every restaurant\, cafe and salon has its own atmosphere. There is an excitement you feel when you enter a place – you don’t know what kind of encounters will unfold. There will be a busyness about the place that enhances the drink or the sandwich you came to buy. It could be glamorous or respectfully silent. You leave transformed by the experience. Your hair might be shorter\, you might be inspired by live music; or you could be drunk or maybe high on an interesting conversation you had with the person behind the counter. But when the people are gone\, these cafes\, pubs and clubs are only rooms with tables and chairs… When the shutters have been pulled down and the scent of frying food has evaporated the place becomes still.” \n \n\nBríd Higgins NíChinnéide is a figurative painter who usually paints people. She often paints from life\, studying living\, breathing subjects. In March 2020 she started to peer inside the windows of some of the businesses within her 5km radius. She noticed how these interiors had been changed by their emptiness. With the kind permission of the owners and managers she got a closer look. Still Until shows scenes from our recent past – painterly portraits of places that waited for our return.” \nOpens Thursday July 22 and runs until August 8
URL:https://www.totallydublin.ie/event/brid-higgins-nichinneide-still-until/
LOCATION:Hang Tough Contemporary\, 4 Exchequer Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/png:https://www.totallydublin.ie/wp-content/uploads/2021/07/BNCC.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210708T120000
DTEND;TZID=Europe/Stockholm:20210708T180000
DTSTAMP:20260619T091914
CREATED:20210621T090115Z
LAST-MODIFIED:20210706T090911Z
UID:77501-1625745600-1625767200@www.totallydublin.ie
SUMMARY:Make the world go away: Sarah Doyle
DESCRIPTION:We’re big fans and friends of photographer Sarah Doyle whose work has adorned our pages before. Her instagram account\, in itself\, should be shown as an example to all budding student photographers as to how best curate and develop an aesthetic. There’s bold colours\, subtle tonal shifts\, shadow plays and a set design consideration which elevates her work into a dreamy\, seductive\, space.  \n“I’m always engaged in a kind of exchange with the objects\, they feel like characters to me. These colours\, lines\, light and shadow are all expressions of this world where things can be worked out and the possibilities are endless\, it’s about creating your own world\,” says Sarah. \nMake the world go away is at Atelier Now until July 10 with a signed\, limited edition\, print entitled Pink Stairs available for €150. Wed – Sat\, 10am – 4pm.
URL:https://www.totallydublin.ie/event/make-the-world-go-away-sarah-doyle/
LOCATION:Atelier Now\, Block 3\, Charlemont St\, Saint Kevin's\, Dublin\, D02 ET63\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/06/peg-by-Sarah-Doyle-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210701T140000
DTEND;TZID=Europe/Stockholm:20210718T200000
DTSTAMP:20260619T091914
CREATED:20210702T105303Z
LAST-MODIFIED:20210716T145140Z
UID:77775-1625148000-1626638400@www.totallydublin.ie
SUMMARY:Nothing New Under the Sun - Delia Hamer
DESCRIPTION:“Ever since Helios’s chariot started rising in the East and galloping across the sky to set in the West\, life\, our human lives\, have been divided into light and darkness. Duality was introduced into our world on day one\, when the ominous words “let there be light!” were spoken. Two worlds formed: one drenched in light\, were virtues blossomed and one oneiric world\, where Apollo’s light could not penetrate and Dionysus dwelled in the shadows. To be said plainly: Good and evil have been part of our world since the beginning of times and our free will to choose between one or the other is what constitutes the cornerstone of our human condition. This is what this body of work is about. These paintings have a bitter sweet cadence to them\, on one side you can sense the eviscerating experience of shining a light onto what we have carefully hidden but on the other hand there is the strong reassuring feeling that you are not alone in this\, because truly… There is nothing new under the sun.” Delia Hamer \n \n \nHamer studied Painting at the renowned Accademia di Belle Arti di Brera in Milan 2014\, and holds a Masters Degree in illustration at the University of the Arts London 2016. After completing her studies\, Hamer worked in the fashion industry and in late 2018\, she decided to move to Lisbon in order to pursue her lifelong passion; becoming a full time artist.
URL:https://www.totallydublin.ie/event/nothing-new-under-the-sun-delia-hamer/
LOCATION:Hang Tough Contemporary\, 4 Exchequer Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/07/037A9907.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210701T140000
DTEND;TZID=Europe/Stockholm:20210701T190000
DTSTAMP:20260619T091915
CREATED:20210510T153402Z
LAST-MODIFIED:20210628T091945Z
UID:76907-1625148000-1625166000@www.totallydublin.ie
SUMMARY:of late - Ciara Roche
DESCRIPTION:Ciara Roche’s exhibition\, of late\, at mother’s tankstation\, features over thirty small-scale oil paintings\, many on paper\, documenting the tasteful complexities inherent to the art and science of presenting things we don’t really need. \n\nIn her ‘VS’ series\, desolate\, but glowingly lit\, lingerie departments\, somewhat reminiscent of the notorious ‘Father Ted’ (S02E11) episode\, chart the range and display strategies of the Victoria Secrets’ ‘Sexy’ range. Taped yellow arrows on the floor indicate a one-way-COVID-traffic\, supply an escape system. Roche’s funny\, cool\, dispassionate paintings supply sufficient detail to make complex choices; to order the right SMEG or Dyson product for our ‘ideal’ Instagram moment. If in doubt\, to a personal capacity for good taste\, we could of course always rely on the aesthetic discipline of IKEA to co-ordinate our interior world – this goes with that.\n\n \n\nTellingly\, the artist notes: “This year I moved into my own house; renting from my family meant that I could do a bit more with the house in terms of decorating\, changing layouts. This led me to the ‘need’ to spend more time looking at such places as IKEA\, various furniture shops\, appliance stores\, and I think this is what led me on to paint some of these spaces and subjects. Was I painting my aspirations? Perhaps I would have liked to own a coffee machine\, but as soon as I made the painting\, I no longer felt the desire. Perhaps I never really had the desire at all\, and I might be a little annoyed at the world for tricking me into thinking that I did”. [non serviam] \nCiara Roche received an MA from IADT\, in 2019 and produced an engagingly significant show\, ‘Here and Away’\, at the LAB\, Dublin in 2019. She presently lives and works\, nicely isolated\, in rural Co. Wexford. \n\n\nRuns until Saturday July 3. Viewings by appointment on Thursday-Saturday. Schedule a time here.
URL:https://www.totallydublin.ie/event/of-late-ciara-roche/
LOCATION:Mother’s Tankstation\, 41-43 Watling Street Ushers Island\, Dublin 8\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/05/Ciara-Roche_Mannequin-View-2_2020_Oil-on-canvas_50-x-40-cm_Copyright-the-artist-and-mothers-tankstation-limited-1024x811-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210622T120000
DTEND;TZID=Europe/Stockholm:20210626T193000
DTSTAMP:20260619T091915
CREATED:20210601T071907Z
LAST-MODIFIED:20210623T081109Z
UID:77231-1624363200-1624735800@www.totallydublin.ie
SUMMARY:Segments - Samuel Walsh
DESCRIPTION:Samuel Walsh’s small segment drawings are based on sections of larger drawings\, which he has always included in his practice since 1977. He maintains that scale does not diminish the work’s intensity or discipline value\, and subliminally Walsh brings aspects of upbringing\, culture\, travels\, and personal associations and relationships into his creative practice. \nThese drawings are made using a brush soaked in ‘encre de Chine’ (Chinese ink) as well a range of liquid mediums\, especially acrylic gouache when introducing a second or third colour. Each drawing requires three linear coats to establish a finish \nWalsh states that he does not always represent the world but he lives in it\, asking difficult questions and challenging his audience with his ideas translated into two-dimensional forms. According to him\, “there is nothing worse than passivity in the face of art or art that is passive in meeting an audience.” \nRuns until June 26\, online shop here
URL:https://www.totallydublin.ie/event/segments-samuel-walsh/
LOCATION:SO Fine Art Editions\, 2nd Floor Powerscourt Townhouse Centre\, 59 South William Street\, Dublin\, D02 H762\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/06/image003-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210524T120000
DTEND;TZID=Europe/Stockholm:20210530T190000
DTSTAMP:20260619T091915
CREATED:20210510T151942Z
LAST-MODIFIED:20210520T144041Z
UID:76904-1621857600-1622401200@www.totallydublin.ie
SUMMARY:Queer Utopia - Mariette Feeney
DESCRIPTION:Our world is in upheaval\, we face an existential threat both in terms of radical and rapid environmental change\, in terms of ever-increasing violent political extremism on the far right\, and a government that seems to work against our interests at every turn. As we live in the world today\, asking ourselves and our community what we want to be free of\, Queer Utopia engages with queer pleasure\, love\, joy\, and friendship\, encouragingly asking; what will we keep? \nQueer Utopia is a collaborative sculptural and digital vision of a queer future: a pink\, joyful\, playful space created in response to a series of discussions between the artist and other queer people. For some\, queer utopia was a physical place\, a home\, a building\, or a forest filled with the people they love\, and for others\, it was a political statement. Our queer utopia is a place of freedom\, of righteous anger\, a place full to the very brim with loving and radical care for our comrades. The world we live in right now is often scared of us\, and in turn\, we are often scared of it; this exhibition serves as a fleeting glimpse into that peaceful\, beautiful\, queer future we are hoping for. \nQueer Utopia by Mariette Feeney runs at A4 Sounds until May 30.
URL:https://www.totallydublin.ie/event/queer-utopia-mariette-feeney/
LOCATION:A4 Sounds\, St Joseph's Parade\, Off Upper Dorset Street \, Dublin 1\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/png:https://www.totallydublin.ie/wp-content/uploads/2021/05/Utopia-11-2-1-722x1024-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210521T110000
DTEND;TZID=Europe/Stockholm:20210618T190000
DTSTAMP:20260619T091915
CREATED:20210117T184625Z
LAST-MODIFIED:20210612T092412Z
UID:75102-1621594800-1624042800@www.totallydublin.ie
SUMMARY:Beacons - Daragh Muldowney
DESCRIPTION:Photographer Daragh Muldowney has been travelling to Lake Baikal\, Siberia\, the largest freshwater lake on the planet\, for the past three years. He has been compiling work for his latest exhibition which documents his many trips to this alluring area of breath-taking natural beauty\, creating stunning images that illustrate the immense attraction of the ice there and the small trees that mark out the road traversing the frozen lake. \nLake Baikal is one of the most biodiverse places on earth as it is home to thousands of species of plants and animals\, many of which are endemic to the region. In winter\, temperatures drop as low as -40°C and the lake becomes a vast frozen plain. Crossing the lake can be a hazardous journey as the ice comes under huge pressure causing it to either break apart exposing the frigid water below or crush together creating large jagged hummocks. To help travellers across the ice\, the locals mark out an ice road by drilling holes and planting small pine trees that act as markers\, ‘beacons’ guiding the way. \nPhotographing this ancient road system was a fascinating experience for Muldowney in many ways and he feels that his documentation of this unusual and unique way of life is a beautiful human story that also highlights the immense natural beauty of Lake Baikal. \nRuns until June 18 (viewing by appointment only from Monday to Friday\, 9am to 5.30pm)
URL:https://www.totallydublin.ie/event/beacons-daragh-muldowney/
LOCATION:The Copper House Gallery\, St. Kevin’s Cottages\, Synge Street\, Dublin 8\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/01/Standing-Strong-1-400x284-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210307T090000
DTEND;TZID=Europe/Stockholm:20210308T180000
DTSTAMP:20260619T091915
CREATED:20210213T120749Z
LAST-MODIFIED:20210304T143540Z
UID:75548-1615107600-1615226400@www.totallydublin.ie
SUMMARY:Carlos Pesudo - Zero Space
DESCRIPTION:This exhibition\, which presents painting and video work\, has as its interest in what happens in the most immediate and hermetic reality of the creation space. Carlos Pesudo uses the figure of the egg or “zero space” as a metaphor for the isolation in which he finds himself in his studio\, where he works around listening to the minimum or the most elemental. In such scenario\, the artist asks the following question: what happens\, or how do things happen in a place where nothing happens? This is a collaboration with the Herrero De Tejada in Madrid.  View the exhibition.
URL:https://www.totallydublin.ie/event/carlos-pesudo-zero-space/
LOCATION:Online
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2021/02/unnamed-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20210129T090000
DTEND;TZID=Europe/Stockholm:20210227T180000
DTSTAMP:20260619T091915
CREATED:20210128T193208Z
LAST-MODIFIED:20210213T122749Z
UID:75217-1611910800-1614448800@www.totallydublin.ie
SUMMARY:Beasts - Gerard Byrne
DESCRIPTION:‘Beasts‘\, a series of black-and-white\, silver gelatin photographs was shot inside the Biologiska museet\, Stockholm\, a museum which housed a 360-degree diorama depicting a panoramic sweep of the Nordic wilderness\, in an elaborate mise-en-scène combining taxidermy with a painted backdrop. The museum remained almost unchanged between 1893 and its unexpected closure midway through Byrne’s production\, in 2017. \nThe artist’s interest in the museum was first inspired by the peculiar visual appearance of the diorama\, which is illuminated solely by natural light entering from roof skylights. For Gerard Byrne\, this dependence on daylight blurred the distinction between museum and camera. With its skylights functioning as lens aperture and its diorama of taxidermy animals poised in frozen photographic stasis\, the Biologiska Museet appeared proto-photographic\, it’s diorama a foreshadow of the Photograph itself. ‘Beasts’ is testament to in-animation; each print pictures the carefully poised relationship between photography and deadness. \nByrne also made a film inside the diorama\, ‘Jielemeguvvie guvvie sjisjnjeli’ (Film Inside an Image) 2015-2016. Presented as a Single Channel film and back projected onto a sculptural environment the work is played on a continuous loop. Byrne’s film takes us on a sweeping\, never-ending journey though the 360 degree diorama of the Biologiska museet in Stockholm. The unsettling experience is amplified by the accompanying sound track\, a multi-layerd cacophony of animal calls\, bird songs and various other sounds of the wild.
URL:https://www.totallydublin.ie/event/beasts-gerard-byrne/
LOCATION:Online
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/png:https://www.totallydublin.ie/wp-content/uploads/2021/01/GB.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20201213T100000
DTEND;TZID=Europe/Stockholm:20201213T190000
DTSTAMP:20260619T091915
CREATED:20201208T123023Z
LAST-MODIFIED:20201211T083541Z
UID:74643-1607853600-1607886000@www.totallydublin.ie
SUMMARY:Pandemme
DESCRIPTION:Pandemme is a pop-up exhibition of contemporary art opened in response to the Covid pandemic. The closure of local shop Emme during the summer  saddened the close-knit community around Dublin 6. Now local artists will occupy the space at 36 Dunville and transform it into Pandemme\, a gallery to showcase their recent work.  Come and meet the artists and learn about their work: Monika Crowley\, Margot Galvin (lead image)\, Mary O’Connor\, Serena Caulfield\, Dan Henson\, and jewellery designer Suzanne Rogers. \n‘Whilst some shows are lucky to have gone ahead this year\, others have closed as soon as they opened. Galleries have done a great job in using social media to keep our work out there\, but with restrictions lifting this week we’re hoping the community take the opportunity to come and meet us  and help support the arts’ says Crowley\, ‘but more than that\, it’s our opportunity to shake off the uncertainty and anxiety of 2020 and give two fingers to the pandemic”. \nPandemme is open on 36 Dunville Avenue until Christmas Eve\, from 9am-6pm daily \n\nMary O’Connor \n \nSuzanne Rogers \nMonika Crowley \n \nDaniel Henson \n \nSerena Caulfield
URL:https://www.totallydublin.ie/event/pandemme/
LOCATION:36 Dunville Avenue\, Ranelagh\, Dublin
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2020/12/MargotGalvin-Fragile-Brutalism-screenprint-on-aluminiu-2019-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20201213T090000
DTEND;TZID=Europe/Stockholm:20210116T180000
DTSTAMP:20260619T091915
CREATED:20201029T110218Z
LAST-MODIFIED:20210117T185502Z
UID:73993-1607850000-1610820000@www.totallydublin.ie
SUMMARY:The Nose Knows: Mark McGreevy
DESCRIPTION:In the first in a new series of solo presentations moving away from historical buildings to contemporary industrial settings\, Berlin Opticians Gallery presents The Nose Knows – a solo exhibition by invited artist Mark McGreevy. \nMcGreevy’s paintings are known for their texture and vibrancy of colour. In this exhibition his palette is full of pinks\, reds\, bright blues and greens. \nMark McGreevy\, The nose knows\, 2016\, Oil on canvas\, artist’s frame\, 70 x 90 cm\nThe colours are often applied in blocks that occupy separate\, designated areas\, as if the paint brush followed the lines of a colouring book\, a territory previously scribbled in with a crayon. There is a determination to his painterly gesture: the brushstrokes read as thick and expressive. \nMark McGreevy\, Shrink wrap for small pieces\, 2015-2019\, Oil on canvas\, artist’s frame\, 120 x 150 cm\, installation shot\nThe world portrayed by McGreevy is simultaneously enticing and estranged. He captures the mundane and utilitarian aspects of life or residual spaces\, which otherwise can go unnoticed. \nThose moments and places are often recorded in his sketch-books as a visual prompter\, adding to a collage of ideas that inform his painting process. Thus\, the reality offered by McGreevy is never fully defined and comes across as a tweaked and twisted version of what we experience. \nThere is a sense of out-of-placeness and incompatibility within the picture plane\, that corresponds with the awkwardness and unease of the subject-matter he depicts. \nMark McGreevy\, Microdosing\, 2016-2019\, Oil on canvas\, artist’s frame\,  50.5 x 41 cm\nA graduate of Ulster University\, Belfast\, McGreevy has previously had exhibitions at RHA\, The Lab Gallery\, Draiocht\, Dublin; The Third Space Gallery\, Belfast; The Crawford Gallery\, Cork and Katzen Art Centre\, Washington\, DC among others. He is currently based in Belfast. \nwww.berlinopticiansdublin.com \n\n\nImage Credit: Courtesy of the artist and Berlin Opticians Gallery\, Dublin \nFeature Image: Mark McGreevy\, Analogue Dog\, 2019\, Oil on canvas\, artist’s frame\, 90 x 120 cm
URL:https://www.totallydublin.ie/event/the-nose-knows-mark-mcgreevy/
LOCATION:Berlin Opticians Gallery
CATEGORIES:Exhibition Listings
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DTSTART;TZID=Europe/Stockholm:20201211T120000
DTEND;TZID=Europe/Stockholm:20210116T173000
DTSTAMP:20260619T091915
CREATED:20201012T105152Z
LAST-MODIFIED:20210107T105232Z
UID:73678-1607688000-1610818200@www.totallydublin.ie
SUMMARY:Double-M\, Double-X
DESCRIPTION:Bringing together ten artists in a stimulating and eclectic presentation\, this group show celebrates the breadth\, diversity and vitality of contemporary painting. Can we also use this opportunity to give a shout out to Unstoppable: Sean Scully & The Art of Everything\, a tremendous portrait of this self-made\, driven\, irascible\, blunt force of nature. The documentary is by Nick Willing\, the son of son of Portuguese painter Paula Rego whose exhibiton in IMMA is hung and ready to open. Extended until January 16. \nCharline von Heyl\nLeiko Ikemura\nMerlin James\nBrian Maguire\nIsabel Nolan\nNano Reid\nSean Scully\nTrevor Shimizu\nCaragh Thuring\nLiliane Tomasko
URL:https://www.totallydublin.ie/event/double-m-double-x/
LOCATION:Kerlin Gallery\, South Anne Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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DTSTART;TZID=Europe/Stockholm:20201208T110000
DTEND;TZID=Europe/Stockholm:20201222T193000
DTSTAMP:20260619T091915
CREATED:20201123T143210Z
LAST-MODIFIED:20201208T123722Z
UID:74353-1607425200-1608665400@www.totallydublin.ie
SUMMARY:Dawn
DESCRIPTION:We’re in a ‘New Normal’ and creatives always have the best responses to major global changes. So we asked our members and Damn Fine collaborators to embrace the fresh energy of a brand new start with optimistic perspectives. \nThe resulting exclusive collection features an eclectic range of limited edition screeenprints and risograph prints\, each one a unique artists take on the word Dawn. \n \nMain image: Times like these by Jose Quintana \nImages below: 1. Deconstruct x Neil Dunne\, 2. Dawn x Alice Fitzgerald\, 3. Dawn x Brian Giles 
URL:https://www.totallydublin.ie/event/dawn/
LOCATION:Online
CATEGORIES:Exhibition Listings
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