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DTSTART;TZID=Europe/Stockholm:20171110T110000
DTEND;TZID=Europe/Stockholm:20171110T180000
DTSTAMP:20260505T133909
CREATED:20171108T144739Z
LAST-MODIFIED:20171108T144739Z
UID:50133-1510311600-1510336800@www.totallydublin.ie
SUMMARY:Radical Love: Female Lust
DESCRIPTION:Radical Love: Female Lust is a celebration of female Arab poets whose work continues to inspire and ignite the imagination today. The exhibition\, which is curated by Roisin O’Loughlin\, consists of female artists from around the world responding to Arabic poems\, saturated with intense emotion and feeling\, longing and desire. Opening tomorrow\, the exhibition runs until 26 November. The Huffington Post applauded the exhibition\, praising how it “challeng[es] outdated and oppressive stereotypes around women and sexuality\, while proving that women of all ethnicities and religious backgrounds can talk openly about female desire without feeling ashamed.” \n“I urge you to come faster than the wind\, to mount my breast and firmly dig and plough my body and don’t let go until you’ve flushed me thrice.” From Abdullah al Udhari’s ‘Classical Poems by Arab Women’ \nFrustrated with the burial of female voices across history\, the people behind this project found inspiration in those that rang out loud and proud across the Arab world over 1\,000 years ago. These female poets challenge preconceptions of faith\, class and the female experience long ago; they capture what it is to relish life and living. \nWomen across the globe\, from Ireland to Palestine to Peru\, Syria to Saudi Arabia\, received these poems and responded with paintings\, photography\, sculpture\, even stained glass. \nRadical Love #FemaleLust showcases their artworks alongside the breathtaking poems that inspired them\, full of longing and lust\, pride and defiance\, all sublime in their intensity. \nProfits from sales of artworks are split between the artists and The Global Fund for Women helping Syrian Refugees. \nThe programme for the Dublin Gallery Weekend includes: \nLive poetry readings from the works that inspired the show on Saturday 25 November @6PM \n A concert by Dublin resident jazz musician Ruba Shamsoun on Sunday 26 November @3PM\n\nSpecial gallery opening on Sunday 26 until 6PM.
URL:https://www.totallydublin.ie/event/radical-love-female-lust/
LOCATION:GalleryX\, 65 South William Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171101T110000
DTEND;TZID=Europe/Stockholm:20171208T180000
DTSTAMP:20260505T133909
CREATED:20171010T122037Z
LAST-MODIFIED:20171101T090050Z
UID:49413-1509534000-1512756000@www.totallydublin.ie
SUMMARY:Stephen McKenna
DESCRIPTION:Kerlin Gallery is honored to present an exhibition by Stephen McKenna. Stephen McKenna was one of the first artists exhibited by Kerlin Gallery upon its founding in 1988 and he continued to exhibit with the gallery for almost thirty years until his death in May 2017. \nThe exhibition is a celebration of his life and his legacy bringing together a broad selection of paintings produced within the last decade of his life\, including landscape\, still life\, domestic interiors and street scenes. The exhibition will open with a reception on Thursday 19 October\, 6–8pm\, and will close with a celebratory event as part of Dublin Gallery Weekend on Sunday 25 November\, 3–5pm. \n 
URL:https://www.totallydublin.ie/event/49413/
LOCATION:Kerlin Gallery\, South Anne Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171019T200000
DTEND;TZID=Europe/Stockholm:20171118T220000
DTSTAMP:20260505T133909
CREATED:20171010T123908Z
LAST-MODIFIED:20171010T123908Z
UID:49418-1508443200-1511042400@www.totallydublin.ie
SUMMARY:Hidden Dips\, Blind Summits: The Road to Brexiteria
DESCRIPTION:Ulster artist Dermot Seymour has been described as a social realist\, often exploring societal themes through the lens of surreal subjectivity. His images seem to leap from a dreamlike state that is both precise and bewildering. His new exhibition\, Hidden Dips\, Blind Summits: The Road to Brexiteria\, in his own words\, “Take the viewer across the dystopian notion of a Brexit on the border.” \n“The world is viewed here from an enchanted distance. It is made strange and new by the yoking together of heterogeneous things like a Russian helicopter and a wild duck\, wildflowers that might have come from Botticelli\, and a dead fish that seems to have escaped Hieronymous Bosch; it is also made at once entrancing and inscrutable by the actual quality of the painting itself.” – Seamus Heaney\, on Dermot Seymour’s work.
URL:https://www.totallydublin.ie/event/hidden-dips-blind-summits-road-brexiteria/
LOCATION:Kevin Kavanagh Gallery\, Chancery Lane\, Dublin 8\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171019T200000
DTEND;TZID=Europe/Stockholm:20171024T230000
DTSTAMP:20260505T133909
CREATED:20171017T070739Z
LAST-MODIFIED:20171017T070739Z
UID:49625-1508443200-1508886000@www.totallydublin.ie
SUMMARY:Exhibition: Escapology
DESCRIPTION:Chris O’Hara and Rivaaj Ramjan are two Dublin-based artists whose debut exhibition\, Escapology\, will open on October 19th until the 24th. The exhibition focuses on evading the barriers of conformity and finding ways to express oneself as an individual. Chris has recently started to work as a full-time artist\, having spent a large portion of his life in the catering business. His work explodes with colour and life\, conveying his inner passion and desire to create. Rivaaj was born in South Africa and now lives and works in Dublin. His eclectic mix of influences range from a traditional Indian heritage to the rich blend of local African cultures. \nThe exhibition will open with an Artist’s Reception on Thursday 19th October between 6-9pm. There will be time to enjoy the artwork and a formal presentation of the show\, as well as opportunity to meet the artists and ask questions.\nComplimentary bar and cuisine will be provided\, and an exciting\, diverse guest list will make for an unforgettable evening. Up-and- coming artist Emma Hayes will also be introduced on the night.
URL:https://www.totallydublin.ie/event/exhibition-escapology/
LOCATION:The Complex\, 15 Little Green St\, Smithfield\, Dublin 7\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171019T120000
DTEND;TZID=Europe/Stockholm:20171022T200000
DTSTAMP:20260505T133909
CREATED:20171011T112034Z
LAST-MODIFIED:20171019T145545Z
UID:49470-1508414400-1508702400@www.totallydublin.ie
SUMMARY:This Was Our Scene
DESCRIPTION:There is a sheer joy in photographing bands\, being in the pit\, catching the moments which define the sound\, sweat and madness of it all\, and which is captured by Irish Photographer Gregory Nolan in this exhibition. \nNolan was there in London in the mid-noughties documenting a somewhat Halcyon time for the scene as the likes of the Libertines\, Amy Winehouse and countless others brought the talent and swagger. Just like youth\, it proved fleeting. These are the visual trappings of that sonic gold.
URL:https://www.totallydublin.ie/event/this-was-our-scene/
LOCATION:the fumbally exchange\, 5 Dame Ln\, Dublin 2\, D02 HC67\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171018T130000
DTEND;TZID=Europe/Stockholm:20171126T190000
DTSTAMP:20260505T133909
CREATED:20170918T102814Z
LAST-MODIFIED:20171017T070905Z
UID:48684-1508331600-1511722800@www.totallydublin.ie
SUMMARY:Review: Plunge
DESCRIPTION:Vera Klute: Plunge  \nSep 8 – Oct 22. \n“Leave your head at the door.” Nowhere is this command given\, but it’s not bad advice. Vera Klute’s Plunge takes its title and runs with it\, asking the same of you: to stop is to ossify. A collection of her work to date\, the exhibition is a multidisciplinary storm\, restless and giddy like a congregation of cherubim.  \n An old\, milk-white\, spectacled woman buried to the waist greets you at the exhibition’s entrance\, looking like a slick modern-day Winnie from Beckett’s Happy Days exuding fierce determination in the face of certain decline. In Plunge\, place is never a promise of belonging\, and this is epitomized in “Move Along” (2014) her most startling installation\, where a wall of white arms twitch and wave you on in impatient domino-style. (The noise of each paper hand clapping the wall is irresistibly close to a tight-lipped “shoo!”). \n How far do you think you are from searing degradation? Klute’s mighty projection “The Grand Scheme” (2013) shows Heaven\, Hell\, and the tenuous in-between stacked in four hierarchical sections: mortal figures stroll under an Edenic plain\, while hooves storm below\, sometimes matching human footfall in eerie coordination. \n \nDown below from hell’s pit pleas are raised in the form of supplicatory hands\, while in that burnt out sky squirms a blimp-like bug – might it be so easy to fall in line with the wrong crowd? It looks like a freeze-frame from a Hieronymus Bosch nightmare.  \n Next to this is “Plunge\,” (2017) the titular installation\, a tangle of cloud-white limbs suspended from the ceiling so that it looks like all the gods from Olympus got into a filthy\, gleeful scramble: you can practically hear the poolside shouts as they plunge toward you. “Stampede\,” (2015) a rush of legs\, made entirely out of paper\, is frozen in sprint below. As a backdrop to this section there is a white wall with wispy\, frieze-like figures caught mid-swim and cut off at the shoulders. So much is given away in apprehensive forethought\, it’s as if Klute has chopped the heads off her figures on purpose just to relieve them of inhibitions. Lessons like these are rare. This intensity of presence is also in her portraits\, which are vivid and so saturated with colour you’d think they’re still wet. She opts for a bold\, striking backgrounds: orange belches up around her subject like impetuous soda-pop. \n“Stampede” (2015)\n If Klute were a conductor\, she’d revel in dissonance\, stirring up confusion and having a wicked amount of fun. She pulls together sculpture\, portraiture\, anatomical illustration\, and video art\, and coaxes an oddball reassurance out of them\, revealing some order to what can seem at times like white noise. Take the piebald twins\, “Black Cloud” (2017) and “White Cloud\,” (2017) an installation described as “ephemeral rotating cloud cogs\,” in which both clouds darken and lighten when the transparent cogs\, filled with soot\, align or separate\, like yin and yang. It is a calming\, if numbing experience\, sitting still and knowing that for now is dark\, to come is light\, with bold zero to be done about either. You skirt around zero\, unsure of it\, before plunging headless into its infinite pit.
URL:https://www.totallydublin.ie/event/review-plunge/
LOCATION:RHA (Royal Hibernian Academy)\, 15 Ely Place\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171014T200000
DTEND;TZID=Europe/Stockholm:20171215T210000
DTSTAMP:20260505T133909
CREATED:20170904T111643Z
LAST-MODIFIED:20171106T235617Z
UID:48277-1508011200-1513371600@www.totallydublin.ie
SUMMARY:Gavin Murphy's Double Movement.
DESCRIPTION:Temple Bar Gallery + Studios presents a new exhibition by Irish artist Gavin Murphy. Double Movement includes works in film\, installation\, sculpture\, text and photography and stems from the artist’s in-depth research into the now defunct Eblana theatre\, which was located in the basement of Dublin’s famous central bus station Busáras. \nThe works in Double Movement\, document architectural and theatre histories in Ireland\, and seek to highlight gaps in our collective memory\, shining a light on forgotten cultural movements. Art and its forms can profoundly change a society from within\, and Murphy’s work not only acts to help us to remember the Eblana theatre as it was\, and make its cultural importance contemporary again\, but also invites us to contemplate the society in which it was formed\, and its relationship to the present. \nMurphy’s research is also informed by an interest in both the cultural and evidential value of architectural structures\, which can reflect and focus a wide variety of social facts: from the state of the industrial arts\, to the processes of social organisation\, and the beliefs and world-outlooks of a whole society. \nThe Eblana takes on further significance for Murphy as a representation of the lifecycle of an artist-run space\, and Murphy’s work seeks to visualise the energy that is needed to maintain a cultural venue like the Eblana\, as well as to articulate the significance these types of projects can have in society. \n 
URL:https://www.totallydublin.ie/event/gavin-murphys-double-movement/
LOCATION:Temple Bar Gallery and Studios\, 5-9 Temple Bar\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171011T130000
DTEND;TZID=Europe/Stockholm:20171023T200000
DTSTAMP:20260505T133909
CREATED:20171010T073700Z
LAST-MODIFIED:20171011T085309Z
UID:49364-1507726800-1508788800@www.totallydublin.ie
SUMMARY:Lacuna
DESCRIPTION:Lacuna is a new photographic and audio/visual installation in the Gallery of Photography evoking contemporary experiences in the border village of Pettigo\, County Donegal. Flowing through the centre of the village the River Termon marks the physical border between County Donegal in the Republic of Ireland and County Fermanagh\, in Northern Ireland. \nThree bridges span the river – and at places where it narrows\, often\, without realising\, you can step across into another country. Lacuna responds to the idea of the border as a ‘landless’ land or a cavity in understanding. Drawn to “in-between” places\, artist Kate Nolan collaborated with the young people of Pettigo to explore the notion of the border as a place in flux. The exhibition weaves together still and moving images\, recorded stories and a commissioned score by Gavin O’Brien to evoke the tangible and intangible\, natural and constructed nature of the border. The diffusion of the physical border in recent years means that for young people there has been minimal impact on physical movement. \nThe prospect of the introduction of an international border between the EU and the UK with Brexit gives rise to new uncertainties about the future.
URL:https://www.totallydublin.ie/event/lacuna/
LOCATION:Gallery of Photography\, Meeting House Square\, Temple Bar\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171006T120000
DTEND;TZID=Europe/Stockholm:20171101T183000
DTSTAMP:20260505T133909
CREATED:20170818T110101Z
LAST-MODIFIED:20171106T235448Z
UID:47888-1507291200-1509561000@www.totallydublin.ie
SUMMARY:Tempus Fugit - Ends Today
DESCRIPTION:Paula Pohli moved to the West of Ireland in 2011\, and found herself surrounded and enthralled by nature – rainfall\, strong winds\, the bleats and howls of night creatures. TEMPUS FUGIT– that’s ‘Time Flies’ to those who don’t speak Latin – is an exhibition of new egg tempera paintings (mixing pigments with egg yolk)\, tempera drawings and linocuts by Paula Pohli. \nZoning in on the brutal transience of nature\, and the vibrance thus afforded to it\, Pohli presents what she has gleaned from life surrounded by fields\, beasts\, and the minutiae in-between and underneath. \nHead down to darc space gallery to experience these weirdly enchanting works. Until 6th October. \n \n 
URL:https://www.totallydublin.ie/event/tempus-fugit/
LOCATION:darc space\, 26 North Great George's Street\, Dublin 1.\, Dublin\, Leinster\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171005T200000
DTEND;TZID=Europe/Stockholm:20171005T220000
DTSTAMP:20260505T133909
CREATED:20171003T072253Z
LAST-MODIFIED:20171003T072253Z
UID:49152-1507233600-1507240800@www.totallydublin.ie
SUMMARY:Shore
DESCRIPTION:Graphic Studio Gallery presents SHORE\, an exhibition of new original prints by Elke Thönnes and Susan Early. \nThönnes and Early make distinctive work\, in contrasting scale.  Many of Thönnes’ carborundums are large\, with planes of thoughtfully balanced luminous blues\, that draw the viewer in – minimal and reflective – the flat areas of colour reference the sea\, and simultaneously become the subject itself.  In contrast\, much of Early’s palette is subdued; her small\, intricate etchings refer to specific places around Dublin Bay & along the Irish coast – she depicts a beautifully moving surface\, punctuated by glimpses of light houses\, boats and recognisable landmarks.  They share an affinity for the sea – both seek an emotional depth\, and imbue a sense of reflection. \nA native of Cologne\, Germany\, Elke Thönnes\, was born in 1960\, and studied at the Hochschule fur bildende Kunste\, Kassel before moving to Ireland and graduating from the National College of Art and Design\, Dublin in 1991. She has exhibited widely in Germany and Ireland.   Known primarily as a printmaker\, she lives and works in Dublin\, painting in her studio as well as printmaking at Graphic Studio Dublin. \nSusan Early was born in Dublin in 1967\, she graduated in architecture from UCD in 1989. While working as an architect she started printmaking\, and later became a member of Graphic Studio Dublin. She has exhibited in Ireland\, Europe\, Canada and the USA. \nThe exhibition runs until October 28th.
URL:https://www.totallydublin.ie/event/shore/
LOCATION:Graphic Studio Gallery\, Cope Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171005T130000
DTEND;TZID=Europe/Stockholm:20171105T180000
DTSTAMP:20260505T133909
CREATED:20171019T223541Z
LAST-MODIFIED:20171019T223541Z
UID:49692-1507208400-1509904800@www.totallydublin.ie
SUMMARY:Witch and Lezzie
DESCRIPTION:At the Ashford Gallery of the RHA is Witch and Lezzie\, an exhibition by the visual artist Breda Lynch. The comprising works traffic in borrowed images\, in particular those of the lesbian characters in the ‘Pulp’ fiction of the 1940s and 60s. These paperbacks purported to offer a window into the nature of homosexual erotic relationships—a window whose view is smudged by the fingerprints of the prevailing ‘heteronormative’ culture of its time. Lynch wrests these images from the past and appropriates them for her own use. The resulting works are quite daring\, are often humorous\, and\, for better or worse\, feel very much of our time.
URL:https://www.totallydublin.ie/event/witch-and-lezzie/
LOCATION:RHA (Royal Hibernian Academy)\, 15 Ely Place\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171005T120000
DTEND;TZID=Europe/Stockholm:20171027T193000
DTSTAMP:20260505T133909
CREATED:20171016T170818Z
LAST-MODIFIED:20171016T170818Z
UID:49602-1507204800-1509132600@www.totallydublin.ie
SUMMARY:In the Presence of Birds
DESCRIPTION:In the Presence of Birds is an exhibition by Gabhann Dunne that pokes curious fingers at the relationship between humans and animals. Its main inspiration is Buile Suibhne or Mad Sweeney\, a medieval Irish poem in which a king is cursed by a priest to live the rest of his life as a bird. The poem is masterful at evoking a sense of place\, something that the exhibition seems to take conscious measures to avoid. Many of the animals in the paintings are against backgrounds of almost pure colour\, as if they\, unlike their friends in Mad Sweeney\, do not have a place in a world shaped largely by humans for humans. But this might also be a nod to the fact that what the visitor to the Molesworth Gallery is in the presence of is not birds but paintings of birds\, which is to say arrangements of pigment. In any case\, they will be at the gallery until 27 October.
URL:https://www.totallydublin.ie/event/in-the-presence-of-birds/
LOCATION:Molesworth Gallery\, 16 Molesworth Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171005T120000
DTEND;TZID=Europe/Stockholm:20171018T200000
DTSTAMP:20260505T133909
CREATED:20171010T113023Z
LAST-MODIFIED:20171010T113254Z
UID:49385-1507204800-1508356800@www.totallydublin.ie
SUMMARY:An t-Oileán – The Island Exhibition
DESCRIPTION:IrishLight aims to draw together the best of Irish-based landscape photgraphers. An t-Oileán: The Island is a group exhibition by Ireland’s leading landscape photographers Daragh Muldowney\, George Karbus\, Michael McLaughlin\,  Norman McCloskey\, Peter Cox \,| Peter Gordon\, and Rohan Reilly. \nThis is a chance to see Ireland’s best landscape photographers all under one roof with a unique concept and brand new work. From Dalkey Island to Inis Mor and back to the Skelligs\, they scan the fringes for some truly breathtaking images. The artists have taken separate journeys across some of Ireland’s most remote island landscapes to interpret the meaning and energy of the Irish islands. \nThe power of the ocean Tory Island – Peter Gordon\nIn a statement that artists’ have said: “It seemed fitting to explore the notion of islands as individuals and bring the work together to see if common themes would emerge. Would our personal styles overwrite the very nature of our surroundings or would the work find a collective expression that ties the exhibition together?” \nIn exploring the islands and the isolation that inhabits them\, the artists have created a moving\, atmospheric and evocative exhibition that guarantees to stir the imagination and the soul.
URL:https://www.totallydublin.ie/event/t-oilean-island-exhibition/
LOCATION:Custom House Quay\, Custom House Quay\, Dublin 1 \, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20171002T110000
DTEND;TZID=Europe/Stockholm:20171031T230000
DTSTAMP:20260505T133909
CREATED:20170926T081921Z
LAST-MODIFIED:20170926T082055Z
UID:48909-1506942000-1509490800@www.totallydublin.ie
SUMMARY:I am Irish
DESCRIPTION:With growing racial tensions across the globe and the emergence of far right groups in Ireland\, #IamIrish makes its mark on home ground to challenge perceptions of what it looks like to be Irish in 2017. \nThis October in Axis Ballymun\, #IamIrish presents an exhibition and series of events exploring Identity\, Race\, Culture and Heritage. Inspired by a persisting lack of representation of the Black Irish experience\, Lorraine Maher launched the project to celebrate a more diverse representation of Irish identity and to question the concept of ‘Irishness’ and what that means for Irish communities today. This project maps the roots\, the lives and experiences of Irish people of mixed heritage creating a unique opportunity to challenge perceptions of what it looks like to be Irish and open up people’s minds to the diversity of Irish people. \nAfter a highly successful launch at the London Irish Centre in October 2016 the exhibition is making its Irish debut in Axis Ballymun with this impressive creative community experience brought together in in celebration of Black History Month\, October 2017.\nMaher collaborated with photographer Tracey Anderson to make an intimate study of the faces\, lives and experiences of 22 mixed race Irish people living in the UK. The series of portraits will be exhibited at Axis Arts Centre\, Ballymun from October 2– 31\, and will be complimented by a series of school and community group visits and a public conversation on Wednesday October 25th exploring perceptions of Colour\, Culture\, Identity\, Heritage and the challenges faced in Irish society. \nTickets for the I Am Irish Panel discussion\, which takes place on October 25th at 7 p.m. can be purchased here.
URL:https://www.totallydublin.ie/event/i-am-irish/
LOCATION:Axis\, Main Street Ballymun\, Dublin 9\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170928T120000
DTEND;TZID=Europe/Stockholm:20171104T183000
DTSTAMP:20260505T133909
CREATED:20171019T224029Z
LAST-MODIFIED:20171019T224029Z
UID:49695-1506600000-1509820200@www.totallydublin.ie
SUMMARY:The Art of Perfume
DESCRIPTION:The Burren Perfumery is a family-run business based in the west of Ireland that creates fragrances and cosmetics inspired by the unique beauty of the area that is its namesake. It has recently collaborated with the visual artist Cliona Doyle\, whose work tends toward the botanical\, to create the designs for the company’s perfume bottles. Doyle had spent a year documenting on copper plates flora native to the Burren\, and creating line drawings inspired by them\, which she later etched on to the bottles. The resulting images are mix of stylised tenderness and fidelity to nature—they are\, in other words\, representative of the fragrances created by the company. The bottles will be on display at SO Fine Art Editions until 4 November\, along with other original etchings and line drawings by the artist.
URL:https://www.totallydublin.ie/event/the-art-of-perfume/
LOCATION:SO Fine Art Editions\, 2nd Floor Powerscourt Townhouse Centre\, 59 South William St\, Dublin\, D02 H762\, Ireland
CATEGORIES:Exhibition Listings
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170920T203000
DTEND;TZID=Europe/Stockholm:20170920T213000
DTSTAMP:20260505T133909
CREATED:20170904T091330Z
LAST-MODIFIED:20170904T091330Z
UID:48274-1505939400-1505943000@www.totallydublin.ie
SUMMARY:Celebrating Poetry: 10 years of Poetry Aloud
DESCRIPTION:Poets from W. B. Yeats to Seamus Heaney have used the National Library’s reading rooms\, and the literary papers of many poets are part of the library’s manuscripts collections. Our printed collection includes the work of well-known and lesser known poets. The creativity and legacy of W. B. Yeats is celebrated in the popular exhibition Yeats: the life and work of William Butler Yeats.  \nPoetry Aloud is an All-Ireland poetry speaking competition for post-primary schools organised by the NLI and Poetry Ireland. The idea originated in Wesley College\, Dublin with English teacher Niall MacMonagle. The first national poetry speaking competition was held in 2006 and coincided with the opening of the Yeats exhibition. The National Library and Poetry Ireland jointly organised Yeats Aloud in 2006. \nIn 2007\, the competition became Poetry Aloud and has been running since as an all-Ireland poetry speaking competition for post primary schools on the island of Ireland.  The NLI and Poetry Ireland have worked in collaboration on Poetry Aloud for the past 10 years. \nTo celebrate 10 years of Poetry Aloud as a national competition\, join Professor Margaret Kelleher\, Chair of Anglo-Irish Literature and Drama\, UCD for a short talk followed by a conversation with some former winners who will read their own favourite poems.  Niall MacMonagle will introduce the evening. \nAll welcome! Booking not required.
URL:https://www.totallydublin.ie/event/celebrating-poetry-10-years-poetry-aloud/
LOCATION:National Library of Ireland\, 7-8 Kildare Street\, Dublin 2\, D02 P638\, Dublin\, Ireland
CATEGORIES:Exhibition Listings,Talk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170916T210000
DTEND;TZID=Europe/Stockholm:20170917T010000
DTSTAMP:20260505T133909
CREATED:20170913T123100Z
LAST-MODIFIED:20170913T123100Z
UID:48615-1505595600-1505610000@www.totallydublin.ie
SUMMARY:Mines Clarence Presents: Cheap Synesthesia
DESCRIPTION:Rathmines’ Mart has\, for some time now\, served as an invaluable if low-key hub for exciting cultural happenings in the city’s grand canal-adjacent suburbs. This Saturday’s event\, Mines Clarence Presents: Cheap Synesthesia\, serving as a neat case in point. \n  \nThe evening is set to host three multi-disciplinary\, audiovisual performances from a selection of intriguing\, up and coming artists from around Dublin. \n  \nThe line-up includes:  Words for the Unknown – A collaborative audio/visual project between producer/video editor Ciaran Meister and producer/guitarist Sam Kay. NYC’s Newtown Radio’s own Mother of Pearl will be making their triumphant return to Irish soil\, showcasing their eclectic mix of audio and visual findings. Rounding out the evening will be Repeater and Jheri Tracks’ Melly who is set to be spinning original material complete with accompanying visuals from Mother of Pearl and Ciaran Meister. \n  \nWith complimentary tipples laid on by O’Haras – this really is going to be a feast for all the senses. A teaser of a previous show can be devoured here.
URL:https://www.totallydublin.ie/event/mines-clarence-presents-cheap-synesthesia/
LOCATION:MART\, 190a Rathmines Road Lower
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/09/20900708_860502867433447_1825116662481308572_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170912T100000
DTEND;TZID=Europe/Stockholm:20171005T190000
DTSTAMP:20260505T133909
CREATED:20170829T180001Z
LAST-MODIFIED:20170911T110444Z
UID:48128-1505210400-1507230000@www.totallydublin.ie
SUMMARY:Ailbhe Barrett's INFUSIONS
DESCRIPTION:Graphic Studio Gallery presents INFUSIONS\, the debut solo exhibition of Ailbhe Barrett. James Hanley of RHA will officially open the show on the 7th of September at 6pm. He has said the following of Ailbhe Barrett’s work: \n“Nine large prints – a mix of etchings\, monoprints with etchings\, and etchings with carborundum – feature alongside two original oil paintings. Country landscape predominates\, with one exception of an evocative view outward from Limerick train station\, the tracks slowly dissolving in the creeping mist\, form disappearing into the ether in the manner of Monet’s similar manifestations of light and steam enveloping stone and iron. \n \nBut it is in those rural landscapes that Ailbhe’s star shines. It is here that her innate artistic sensibility finds voice. This is the world of her childhood and she knows it from its winter light to its summer sun\, and from its hills to its meadows. \nHer images are not\, however\, the landscapes of a locale or a particular place\, but rather the suggestion of a mood\, the evocation of a place that captures her imagination. It is not surprising that Turner was an early inspiration in the way he transformed the world into something far more atmospheric than it is by his bravura manipulation of paint. So too with Ailbhe. Two trees side by side\, hedgerows and fields\, a bend in the river\, distant mountains shimmer in a haze of memory made manifest by her mastery\, with aquatints\, sugarlift and spitbite amplifying her dexterous line.” \n 
URL:https://www.totallydublin.ie/event/ailbhe-barretts-infusions/
LOCATION:Graphic Studio Gallery\, Cope Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/08/Ailbhe-Barrett-Presence-etching-and-aquatint..jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170906T110000
DTEND;TZID=Europe/Stockholm:20171210T183000
DTSTAMP:20260505T133909
CREATED:20171128T122442Z
LAST-MODIFIED:20171128T132907Z
UID:50491-1504695600-1512930600@www.totallydublin.ie
SUMMARY:Käthe Kolwitz | Life\, Death\, and War
DESCRIPTION:Final call for this impressive collection of 40 prints by this German artist on the year that marks her 150th birthday. Her five print cycles: Revolt of the Weavers (1893-98)\, Peasant War (1902-08)\, War (1921-22)\, Proletariat (1924-25)\, and Death (1934-37) place her among the foremost printmakers of the twentieth century. A committed socialist and pacifist who eventually leaned towards communism; her work took a path from realism to expressionism. A true pleasure.
URL:https://www.totallydublin.ie/event/life-death-war/
LOCATION:National Gallery of Ireland\, Merrion Square West\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/11/LifeDeathandWar.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170902T150000
DTEND;TZID=Europe/Stockholm:20170902T200000
DTSTAMP:20260505T133909
CREATED:20170818T115526Z
LAST-MODIFIED:20170830T060120Z
UID:47905-1504364400-1504382400@www.totallydublin.ie
SUMMARY:Freedom of Movement
DESCRIPTION:MART Gallery presents the exhibition Freedom of Movement by Nina Fischer & Maroan el Sani\, supported by The Arts Council of Ireland\, Goethe Institut Dublin and the Institut für Auslandsbeziehungen. The exhibition has been curated by MART Gallery Manager Deirdre Morrissey. \nThe MART Gallery’s curatorial vision for 2017 is to select artists who work under the parameters of risk and political agitation\, creating powerful\, informative and experimental work. On Thursday\, August 24th MART will present ‘Freedom of Movement\,’ an exhibition of film work by renowned German artists Nina Fischer and Maroan el Sani.MART first introduced the work of Fischer & el Sani to Ireland in 2014 when the artists presented film works ‘Narita Field Trip’ and ‘Spelling Dystopia’ in an exhibition curated by Barry Kehoe. Both pieces were created when the artists were Associate Professors at the School of Art and Design in Sapporo City University in Japan and explored tensions that arise between the forces of globalisation and specific local narratives.Always keen to build upon established relationships with international artists\, MART has invited Fischer and El Sani back to Dublin for the presentation of two recent film installations ‘Identity’s Rule of Three’ (2015) and ‘Freedom of Movement’ (2017) These films pose questions on various aspects of human identity and society\, the limits of geographical\, artistic and social structure\, and race relations.Nina Fischer & Maroan el Sani are visual artists and directors who have worked collaboratively since the 1990s and both live and work in Berlin. Through their work they have explored narratives in various sites around the world juxtaposing hidden histories with the lived experiences of contemporary society and questioning cultural perspectives \nThe exhibition continues: 25 Aug – 22 Sept 2017
URL:https://www.totallydublin.ie/event/freedom-of-movement/
LOCATION:mart\, 190A Rathmines Rd\, Lwr\, Dublin 6.\, Dublin\, Leinster\, Ireland
CATEGORIES:Exhibition Listings,Film Screening
ATTACH;FMTTYPE=image/png:https://www.totallydublin.ie/wp-content/uploads/2017/08/Freedom-of-Movement.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170831T193000
DTEND;TZID=Europe/Stockholm:20170831T213000
DTSTAMP:20260505T133909
CREATED:20170818T101822Z
LAST-MODIFIED:20170823T094229Z
UID:47836-1504207800-1504215000@www.totallydublin.ie
SUMMARY:The Museum of Modern Comedy in Art - A Proposal
DESCRIPTION:The Project Arts Centre will be showcasing their first exhibition from their new Curator\, Lívia Páldi\, opening on Thursday 31 August between 5.30-7.30pm. \nThe Museum of Modern Comedy in Art (MoMCo) – A Proposal is either an artwork in the guise of a speculative museum or a museum dressed up as a contemporary installation. Which of the above it will be\, is yet to be seen. \nMoMCo is dedicated to highlighting\, researching and mediating the hidden\, comedic aspects of modern and contemporary art. The classical notion of reckless\, avant-garde bravado has been largely debunked\, not least for its implicit sexism and open Eurocentrism. But the underlying comedic mechanisms deserve re-examination. \nFor this first exhibition\, MoMCo is presented in the form of a tentative historical chart and a series of clay figurines depicting key-moments in bona fide art history. MoMCo is also proud to present Resuscitations\, its first temporary exhibition of contemporary art\, comprising video works by Agnieszka Polska (PL)\, Roee Rosen (IL)\, Sally O’Reilly (UK)\, Gernot Wieland (D)\, and Olav Westphalen (D/US). \n  \nOlav Westphalen is a German-American artist whose work frequently takes the form of games\, entertainment or cartoons. He exposes the cultural blind spots and hypocrisies of the social and cultural contexts he inhabits. He plays both sides of the high-low divide\, producing mass-media comedy and cartoons while showing in museums and galleries such as The Whitney Museum\, ICA London\, The Swiss Institute NY\, Moderna Museet\, Stockholm\, Brandenburgischer Kunstverein\, Museum Fridericianum. He lives and works in Stockholm. \n  \nThe Museum of Modern Comedy – A Proposal (MoMCo) runs at Project Arts Centre from 1 September to 21 October 2017.
URL:https://www.totallydublin.ie/event/museum-modern-comedy-art-proposal/
LOCATION:Project Arts Centre\, 39 East Essex Street\, Temple Bar\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings,Theatre Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/08/unnamed-1-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170828T100000
DTEND;TZID=Europe/Stockholm:20170929T200000
DTSTAMP:20260505T133909
CREATED:20170828T144839Z
LAST-MODIFIED:20170829T083349Z
UID:48098-1503914400-1506715200@www.totallydublin.ie
SUMMARY:Review: Soundcheck at The Science Gallery
DESCRIPTION:When I walk into the Soundcheck exhibition at Trinity’s Science Gallery\, a wall-sized blackboard is scribbled with chalk where visitors are asked to write their favourite sounds. “My children’s laughter\,” writes one person; “Lana Del Rain\,” quips another. Soundcheck continues this invitation to personal interaction throughout the exhibition; all lies dormant until some curious individual speaks into the microphone in “Chit Chat\,” an installation that translates the slightest vocalization into birdsong\, and a muttered “hello” becomes a round of morning chirps. In “Baloica\,” a set of swings are fixed to a Kinect motion-sensor which responds to each oscillation with a melodic note\, and the higher you swing the more complex the sounds become\, turning an everyday activity into an exercise in creative experimentation. Brenda Hutchinson’s “Giant Musical Box” challenges the concept of what sounds “good\,” having tuned the brass bars to quarter tones\, and allows those with zero musical training to strike a pleasant chord.  \n \n Upstairs\, there is a kitchen stocked with utensils rigged to transform any bang or tap to musical percussion: a ceramic bowl becomes a steel drum\, stirring beans in a pan becomes the audible equivalent to neon-lit rain. In “Theremin Tapestry\,” historical traditions of weaving are combined with theremin technology to create a piece of art that answers motion with song. Strictly untouchable\, this installation demands restraint and a reflection on the relationship between the senses. Although each installation is spitefully unique in its own way\, one commonality shared with all is challenging ideas of what music is or can be. “Star Struck” presents a pin-ball machine as a musical instrument\, and features a four-person multiplayer play field framed by bass guitars. The game features targets that produce stochastic compositions – randomly generated scores created by controlling an array of audio effects – that integrate pinball gaming into compositional construction. Not all installations include teamwork\, however. “Ashes to Ashes” is a nightmare soundscape carved from virtual uranium instruments\, crowding into the listener’s ears through headphones. Evoking nuclear fallout and stars’ theatrical self-destruction\, this installation is a journey from bleak\, cavernous echoes to high-pitched swoons tipping into hysteria. This might be what you hear when you put your ear to a black hole\, or if you woke to see the moon crashing down through the night.  \n Unity\, isolation; sound can do both\, whether it’s drawing disparate groups together to make noise in a kitchen or needling in on the individual. What you take from Soundcheck depends entirely on who else is there – cacophony if it’s busy\, sparsely-punctuated silence if it’s quiet. Either  will make you wonder at these peculiar vibrations we call sound\, and at the possibilities that sprout from music’s ongoing love-affair with technology. \n \nwords: John Vaughan.
URL:https://www.totallydublin.ie/event/review-soundcheck-science-gallery/
LOCATION:Science Gallery\, Pearse Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/08/35283956515_5c7bacea3e_m.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170823T130000
DTEND;TZID=Europe/Stockholm:20170831T220000
DTSTAMP:20260505T133909
CREATED:20170822T105028Z
LAST-MODIFIED:20170822T194855Z
UID:47938-1503493200-1504216800@www.totallydublin.ie
SUMMARY:Archives in the Attic
DESCRIPTION:For Heritage Week\, the people down at the Gallery of Photography are exhibiting their collection of family photo albums. There will be free photo scanning workshops to help you create high-resolution digital copies of your family photographs. It will show you how to care for old photographs and advise on restoring & repairing precious\, damaged photographs\, so the memories may make it through the years. \nThe Photo Album of Ireland archive project records the rich social history held in family archives. Check out the online archive project\, which explores the role photography plays in documenting our lives and recording our memories – preserving them for future generations. The exhibition features a selection of photographs from the current phase of research – Reframing the Border – recording diverse experiences of families from the border counties. The exhibition runs until Sunday\, 27th August.
URL:https://www.totallydublin.ie/event/archives-in-the-attic/
LOCATION:Gallery of Photography\, Meeting House Square\, Temple Bar\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/08/mckeown_web_52.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170822T140000
DTEND;TZID=Europe/Stockholm:20170822T190000
DTSTAMP:20260505T133909
CREATED:20170529T120355Z
LAST-MODIFIED:20170822T070302Z
UID:46095-1503410400-1503428400@www.totallydublin.ie
SUMMARY:As Above\, So Below
DESCRIPTION:As Above\, So Below: Portals\, Visions\, Spirits & Mystics embraces the “occult\, the otherworld\, human consciousness\, mysticism and ritual”. With over 180 works on display including heavyweights such as Kandinsky\, Klint\, Kenneth Anger and Bruce Nauman as well local artists Grace Weir and Alan Butler; this promises to raise us up where we belong. \nAccompanying image credit: Alan Butler\, On Exactitude in Science\, film still\, 2017\, two channel HD video\, 5.1 audio\, 86 min\, courtesy of the artist. The motion picture Koyaanisqatsi (1983) has been generously provided by the director Godfrey Reggio. \n 
URL:https://www.totallydublin.ie/event/as-above-so-below/
LOCATION:IMMA\, Military Road Kilmainham\, Dublin 8\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/05/ALAN-BUTLER-Still-from-KoyaanisGTAV-April-2017-HD-VIdeo-Duration-86min-G.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170821T130000
DTEND;TZID=Europe/Stockholm:20170821T190000
DTSTAMP:20260505T133909
CREATED:20170529T120908Z
LAST-MODIFIED:20170821T084402Z
UID:46099-1503320400-1503342000@www.totallydublin.ie
SUMMARY:Green Sleeves
DESCRIPTION:Green Sleeves charts The Irish Printed Record Cover from 1955 to the present day. Our renewed love of vinyl continues to surge and this marks a long overdue look at the Irish-printed album cover. Yes\, you’ll spot U2’s Boy in there but there’s a wealth of reminders of the eclectic sounds\, genres and designs which emanate from this isle. There should also be a few guffaws at some cheesy band poses. (until October 1st)
URL:https://www.totallydublin.ie/event/green-sleeves/
LOCATION:National Print Museum\, Haddington Road\, D4\, Dublin\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/05/20170504-20170504-530A6246.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170814T120000
DTEND;TZID=Europe/Stockholm:20170814T193000
DTSTAMP:20260505T133909
CREATED:20170728T115234Z
LAST-MODIFIED:20170813T150109Z
UID:47408-1502712000-1502739000@www.totallydublin.ie
SUMMARY:Hannah Fitz\, Áine McBride\, Daniel Rios Rodriguez and Marcel Vidal
DESCRIPTION:Four artists have their debut at Kerlin in the gallery’s current show: Hannah Fitz\, Áine McBride\, Daniel Rios Rodriguez and Marcel Vidal. All born within a decade of each other\, the work of these four artists (hailing variously from Dublin\, Donegal and Texas) collectively embraces sculpture\, painting\, photography\, video and found objects\, offering a key insight into the directions contemporary art practice is taking. (until August 26)
URL:https://www.totallydublin.ie/event/hannah-fitz-aine-mcbride-daniel-rios-rodriguez-marcel-vidal/
LOCATION:Kerlin Gallery\, South Anne Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/07/Marcel-Vidal-Cactus-2017.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170730T133000
DTEND;TZID=Europe/Stockholm:20170802T193000
DTSTAMP:20260505T133909
CREATED:20170701T142401Z
LAST-MODIFIED:20170803T163648Z
UID:46842-1501421400-1501702200@www.totallydublin.ie
SUMMARY:ROSC 50\, 1967 – 2017
DESCRIPTION:To mark the 50th anniversary of the first ROSC exhibition in Ireland\, IMMA (The Irish Museum of Modern Art) and NIVAL (The National Visual Art Library) will present a wide-ranging archival exhibition\, including catalogues\, photographs\, news footage\, and exhibition reviews and reports\, alongside first-person accounts and innovative reflections by Irish artists. The ROSC exhibitions were Ireland’s first exposure to international contemporary art\, before IMMA was established\, offering the Irish public a chance to engage with artists like Cy Twombly\, Mark Rothko and Laurie Anderson. Often controversial\, the once-every-four-years ROSC exhibitions were pivotal in influencing a generation of Irish artists and this exhibition offers a chance to reflect on their legacy.
URL:https://www.totallydublin.ie/event/rosc-50-1967-2017/
LOCATION:IMMA\, Military Road Kilmainham\, Dublin 8\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/07/Rosc-80-as-jpeg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170719T220000
DTEND;TZID=Europe/Stockholm:20170726T190000
DTSTAMP:20260505T133909
CREATED:20170719T094221Z
LAST-MODIFIED:20170719T094903Z
UID:47207-1500501600-1501095600@www.totallydublin.ie
SUMMARY:Di Verse
DESCRIPTION:“I have been experiencing a lot lately\, human behaviour that reflects a sentiment of fear\, hate and control towards diversity. It has shocked me. It has effected me so much so that I have been forced to question everything we stand for as a species. \nThis is because\, in my time here I have only ever experienced diversity as a strength. In fact I have sought her out\, and when I have encountered her I have grown. Diversity is knowledge\, evolution and choice. \nWhen I talk about diversity I don’t mean that of ethnicity. I am referring to the diversity of human experience had by each of us. As much as we are all the same beings\, we have each had our own unique conditioning and cumulation of experience. 7 Billion of us may be the same\, but we are all different. \nWhen reflecting on the images I have captured I observe vast differences at certain stages of my evolution through the medium. I have embraced these difference by letting the work speak to me with no over baring curation.” – Mark William Logan \nMark William Logan is a Dublin born photographer who spent the last three years travelling North America\, Ecuador\, Peru\, The Amazon & Hawaii. With a background in music and experiential he has found his Love in 35mm film. He loves most the intention the medium brings and strives to force people to ask questions through his work. \nExhibition runs July 19-26 in the Tara Building
URL:https://www.totallydublin.ie/event/diverse/
LOCATION:the tara building\, Tara Street\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/07/DVRSE_CLR003.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170714T150000
DTEND;TZID=Europe/Stockholm:20170714T200000
DTSTAMP:20260505T133909
CREATED:20170701T141959Z
LAST-MODIFIED:20170712T092626Z
UID:46839-1500044400-1500062400@www.totallydublin.ie
SUMMARY:Hot Press: Covers exhibition
DESCRIPTION:Hot Press is 40! While its impact and influence on youth culture in particular has waned considerably in this century\, there is no denying it’s played its part in our emergence as a multi-national and open society. The fact it’s still around is testimony to its shrewd management by the Stokes clan. This is a brilliant look back at its evolution. There is a U2 wall and all the obvious heavy hitters from the rock scene but many of the thrills lie in the one-off cover stars\, our national controversies or the bizarre sight of Radio One DJ Ronan Collins in a satirical cover rip-off of The Sunday World back in 1984.
URL:https://www.totallydublin.ie/event/hot-press-covers-exhibition/
LOCATION:National Photographic Archive\, Meeting House Square\, Temple Bar\, Dublin 2\, Ireland
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/07/Hotpress-first-cover.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20170710T123000
DTEND;TZID=Europe/Stockholm:20170710T193000
DTSTAMP:20260505T133909
CREATED:20170705T071857Z
LAST-MODIFIED:20170705T072415Z
UID:46972-1499689800-1499715000@www.totallydublin.ie
SUMMARY:Mark Redden: For All Intents and Porpoises
DESCRIPTION:Born in Dublin in 1979\, Mark Redden graduated from the Crawford College of Art\, winning several awards for his work\, which has been described by Aidan Dunne (Irish Times Art Critic) is an artist with “an ambitious sense of engagement. Like Francesco Clemente\, he wants his all encompassing vision to have a sweeping\, mystical breadth.” \nHe always knew he wanted to be an artist. Following school he expanded his cultural education\, which was wide-ranging and largely self-taught. He worked briefly in advertising and later for a wooden boat-builder in a village in the west of Ireland. He has travelled to five continents and continues to travel in search of a broader knowledge of different places and cultures. \nHe has taken inspiration from poets\, philosophers\, scientists and writers. Although he acknowledges the influence of such artists as Anselm Kiefer\, Joseph Beuys\, Richard Deacon and Jimmy Durham\, Redden has created his own distinctive iconography in which each element is loaded with symbolism and meaning. \nThe artist takes a cyclical view of time and history\, and as a consequence\, a handful of over-arching themes appear regularly in his work. These repeating gestures are in a way a response to the repetitive system of human history. One that is apparently constantly changing yet bound to an eternal theme of birth\, growth and death. He seeks to understand our purpose here on Earth and our relationship with the celestial\, spiritual and physical nature of life. \nThis fascination with the world and his thirst for knowledge and understanding provokes the viewer to consider these bigger questions with him. He forms a narrative that defies any definitive interpretation yet aims to inspire far-ranging thoughts in the viewer. \nRuns until July 31st
URL:https://www.totallydublin.ie/event/mark-reddan-intents-porpoises/
CATEGORIES:Exhibition Listings
ATTACH;FMTTYPE=image/jpeg:https://www.totallydublin.ie/wp-content/uploads/2017/07/unnamed-5.jpg
END:VEVENT
END:VCALENDAR